A Quote by DaBaby

Some songs I rap before the beat even play and I enjoy doing that. I like walking the beat down. — © DaBaby
Some songs I rap before the beat even play and I enjoy doing that. I like walking the beat down.
Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
All I really want is a beat from Kanye West. I've met him, and I think he's real cool with us. If I get that beat, I'm going to rap the best verse I ever dropped - even if it's his worst beat.
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.
I used to record songs, like, play the beat from one phone and have another phone recording me and just rap. Moving from that to a studio was like, 'Damn, I never knew I could sound like this.' It was just magic.
I always wanted to make a song like 'Why' even before my second album. It was just something I always had in my mind. But when I got the beat from Havoc, it was like the perfect beat, I felt... I wanted to get some questions I thought everybody... felt like 'why?' to.
I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.
You love the game, but it's hard to do the things you do when you're feeling like you're a leg down all the time, literally. Or you're always beat up, even coming into the season. So it's just not as fun when you're down, and you got to work your way up. And you can't really get there because you're so beat up.
I think the sound of 'The Infamous' came naturally from our lifestyle and some of the criminal things we were doing. We always rap about what we're living, and to put a beat to lyrics like those is hard.
I never liked socially conscious rap. I like rap that's physical, that's about a beat and bass and repetition.
My actual writing process? I have to just love the beat before I even write on it. I can't force myself to write to a beat that I'm not immediately loving.
I think there's something wrong with me - I like to win in everything I do, regardless of what it is. You want to race down the street, I want to beat you. If we're playing checkers, I want to win. You beat me, it's going to bother me. I just enjoy competition.
Bill Ward, when you hear his beats, he's not just playing a straight 4/4 beat; he's doing almost a hip-hop beat. There's a song called 'Sweet Leaf.' The drum beat that he's playing, he's trying to kind of swing and funkify it. Now, is he doing a great job of it? Maybe not. Maybe.
I need someone to be like, 'I can beat Bert in a marathon.' And then my Mickey Mantle genes will kick in and I'll start going, 'No you can't. You can't beat me, because I'll beat myself.'
To beat Serena, she's world No. 1, so it's always tough to beat someone like this. She's never giving up. Even if she's losing, not playing her best, it's always tough to beat girls like this.
It's about us getting ready to play. It's not about the other team. We'll beat ourselves before they beat us. That's always our approach.
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