A Quote by Dabney Coleman

I did two or three plays every summer. — © Dabney Coleman
I did two or three plays every summer.
One of the things that I'd like to get back to that I did as a younger actor was to work on, you know, a rep season for a summer where you did two or three Shakespeares, and you'd do a couple of either new plays or classic plays, and you did a different one almost every night.
I really only did theater in school in college. I did summer stock a couple of times in the summer, and plays that the school put on. But I knew I wanted to be in movies.
I did a severe amount of plays in high school. I was in every single show that my drama club produced. Then in the summer I would do plays, and I was also playing sports. I was probably a hellish kid, come to think of it, for my parents' schedule. But then I went to college in North Carolina.
Yeah, I think anyone who plays the game for any length of time will pick up a concussion or two or three. I did.
I've done two 'Hamlets,' two 'Lears,' three 'Midsummer Night's Dreams' - I've done most of these plays more than once, and every time I direct them, I learn things.
We only did probably two, three takes on every scene we did, at the most.
Everybody knows that really intimate conversation is only possible between two or three. As soon as there are six or seven, collective language begins to dominate. That is why it is a complete misinterpretation to apply to the Church the words 'Wheresoever two or three are gathered together in my name, there am I in the midst of them.' Christ did not say two hundred, or fifty, or ten. He said two or three.
I don't think the summer is short. I would rather play hockey than work out in the gym. It would be tougher if summer was longer. You have your two or three weeks to take off. You have plenty of time to go back and see family and friends. I don't want summer to be any longer.
Not Shakespeare. In college I took a Shakespeare class because I was an English major, and they had a Summer program called Shakespeare at Winedale, which is out in the German Hill country in Texas , where you go out and live for two months and then you perform three plays at the end of that time.
I think there are two different oceans - the one that plays with you in the summer, and the one that gets so mad in the winter.
So we [with Kate DiCamillo] decided to give the friends an object and see what they did with it. The object was a sock and it went from there. Once we got going, once we got on a roll, it became very easy to work together and to figure out how to do it. We would meet for two-hour segments, usually from 10-12, two or three times a week. We met all one summer, and I think into the fall.
One summer, my friend and I went to summer camp, and I acted in some plays there, and I fell in love with it.
You can pick any game and there are two or three plays that determine whether you win or lose, going either way. That's the beauty of the league, man. Every game counts, no matter who you're playing or what their record is.
With short hair you have to get a haircut every two or three weeks. And if you're coloring your hair, you have to color it that often. Every time I did it, I felt fraudulent.
I used to go to sports camp every summer. I'd make a lot of new friends, and it was all athletic. It was basically a place for parents to send their kids to run out all their summer energy for two weeks.
It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
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