No not pigeon holed me as an actor, or as a character, or as to what I could do - but what I would do... and the fact is the things you don't do are almost as important as as the things that you do.
If you're going to be pigeon-holed as anything as a woman, it's good to be pigeon-holed as someone with an acid tongue who gets things done.
We often get pigeon-holed as a tough guy, or whatever else. I've been pigeon-holed as a heavy and serious, and almost a baddy, but not quite a baddy, over the years of my work in television, particularly.
I think that the most important thing for me is how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor.
I think that the most important thing for me is, how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor. Also, a good director and good dialogue.
I'm quietly becoming New York's premiere actor. People don't understand. They have me pigeon-holed as a comedian.
People talk about me being a firefighter, but I have also been very successful. It annoys me that in this country you get pigeon-holed for certain things.
I suppose, when you start up in acting, you hope to be given challenges, and you always have dreams about the things you could do and couldn't do, but normally we get pigeon-holed a little bit, as we go on in our careers.
I never wanted to stay in one genre; I never wanted to be pigeon-holed or defined as the actor who only worked in one genre. I want to be able to work in all different genres. For me it's fun, and that's how I grow as an actor.
You have to remain positive and just try your best and part of that is doing things that continually surprise people, including yourself, so that you don't get pigeon-holed.
I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.
I have worried about getting pigeon-holed, but now I think I've done enough weird, offbeat stuff not to be. And I also know that I do things for the right reasons: I've made my money, so I don't have to say yes to anything.
I don't want to get pigeon-holed into a certain kind of character. I love action roles and the hero, but I want to keep trying something new.
I'm character-driven. If it's a great character and something different; because I find that a lot of the times you do get pigeon-holed, you do get the same characters over and over again because that's what producers are comfortable with. They've seen you do it, they know you can do it. I'm kind of getting a little stir crazy.
With the first novel, I was concerned I would be pigeon-holed as an Asian-American writer, and the book would be labeled for Asian-Americans only.
For me, one of the most important things I look for in an actor is whether we can converse. Do we have a similar ability to discuss a character?