A Quote by Dabney Coleman
But it was this tough little character part that I was playing, a very funny little guy that I invented over a weekend, because I realized I was not contributing to the humor of this thing. And I had to do something.
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If you're playing a good guy, you show some darkness. If you're playing a dark guy, you show something different, like humor, that will mix it up and hopefully surpass the audience's expectations. What I'm battling all the time is complacency in the audience. I try to bring a little mystery to what might happen because that engages people more.
Over the years I've grown more comfortable with making people uncomfortable because that is when growth can happen. You need a little conflict. You need a little tension. And that is part of my calling. A little tough love goes a long way!
If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.
As an actor I'm part of a long line of character people you can take back to the silent movies. There's always the little guy who's the sidekick to the tall, good-looking guy who gets the girl. People tend to not think of themselves as Tom Cruise or Bruce Willis. The leading man is something that they might like to be, but they aren't. The sidekick is somebody that they feel a little closer to, because the sidekick has the same human failings that they do.
I'm from Port Arthur, Texas! Little guy! Little character guy from one of the saddest oil-refinery towns in America. And here I was driving over to Beverly Hills, to 20th Century Fox, to be on 'M*A*S*H!'
I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.
I ultimately realized we had gotten together for the music. It was such a huge thing in our lives. We were at the same age, same place in our careers, and we had great fun. But when I became a mother and was at home, I realized that in reality we had very little else in common. I wasn't happy, wasn't getting what I needed. It's tough to realize that. But while a big change can be painful, it also was for the best. I'm happier now than I've ever been.
The thing I have learned, especially in the Internet age, probably the easiest thing in the world is to declare that something is not funny. I mean it's not actually humor to say something is not funny, but it is viewed by a lot of people - and by that I mean mainly snarky young Internet men - as a kind of humor in and of itself is putting down other people's efforts at humor. And I don't care that much anymore about that because I know how easy that is to do.
Alright...here's the deal. What's happening in this piece is very simple, over here on this side...you see that there is a very scared little kinda guy over there...wanna know why he's scared? Because this guy over here is trying to eat him.
Fame is something that is tough when it comes. It's a weird thing to take on in real life. I was a little bit afraid and, as a result, kind of turned my back on it. You should embrace it because it's going to be a part of who you are, and it's going to be a part of what this business is about.
I got a bike when I was little, a BMX. I called it 'Fido Dido' after the tough little cartoon guy with spiked hair. I thought he was the coolest thing ever.
I like the idea of being the funny guy in the dramatic thing, playing a hit man with a weird sense of humor.
There are things that I invented - the creaky geriatric robot that is always grumpy, for example, or the little wheelie guy, he's not in the Hasbro lore. But kids love that stuff - this little guy as a pet on a chain. They gravitate towards it.
It's a funny thing - when I'm crazed with work, spending time with my children relaxes me. Yet, at the end of a long weekend with them, the very thing I need to relax is a little work and time away from them!
I'm character-driven. If it's a great character and something different; because I find that a lot of the times you do get pigeon-holed, you do get the same characters over and over again because that's what producers are comfortable with. They've seen you do it, they know you can do it. I'm kind of getting a little stir crazy.
Humor strips dominated what were called the funny papers early in the century, but by the 1920s and '30s, adventure strips had taken over. With 'Beetle Bailey,' I revived the funny part of the funny papers, and I'd be proud to be remembered for that.
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