A Quote by Dacia Maraini

I don't always understand my characters. I write to understand them better. — © Dacia Maraini
I don't always understand my characters. I write to understand them better.
I write from a people's point of view. I love people because I understand them. I understand an enemy, I understand a friend, I understand grey areas, and I understand black areas.
When I create a character, it happens in layers. The more I write and revise, the better I understand the characters.
If I can understand them better as a person then I can understand how to make them a better player too.
And it's a necessity [for journalists] to pretend to be competent on every subject, some of which they really do not understand. They are under that necessity, I regret; I'm sorry for them. But to pretend to understand all the things you write about, and habitually to write about things you do not understand, is a very corrupting thing.
Culture makes people understand each other better. And if they understand each other better in their soul, it is easier to overcome the economic and political barriers. But first they have to understand that their neighbour is, in the end, just like them, with the same problems, the same questions.
Culture makes people understand each other better. And if they understand each other better in their soul, it is easier to overcome the economic and political barriers. But first they have to understand that their neighbour is, in the end, just like them, with the same problems, the same questions.
There can hardly be a stranger commodity in the world than books. Printed by people who don't understand them; sold by people who don't understand them; bound, criticized and read by people who don't understand them; and now even written by people who don't understand them.
Works of art are meant to be lived with and loved, and if we try to understand them, we should try to understand them as we try to understand anyone — in order to know them better, not in order to know something else.
My dad was always interested in characters he didn't understand - he was such a great bad guy in movies. And that is really the thing that calls me to the material often: something I struggle to understand in human behaviour.
I would like to understand things better, but I don’t want to understand them perfectly.
When I write characters, I need to hear their voice. As soon as I get them speaking, and I feel how they use language, I understand who they are and what they want.
I believe in the science. When you think about GMOs, I spend a lot of time on them, and I understand them. But I understand that my telling people on faith may not carry the day. They need to see it, understand it, [and we need to] arm them with facts, educate them, and let them make their choices.
We write to understand our deepest secrets to ourselves, to understand. We write in an outpouring of love. We write in secret, either for publication or for a journal no one will see, or we write poems to be privately printed for the eyes of friends alone - this is not our choice. The urge is to create. The outcome belongs to God.
Be very sure of this,-people never reject the Bible because they cannot understand it. They understand it only too well; they understand that it condemns their own behavior; they understand that it witnesses against their own sins, and summons them to judgment.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
I think more to the point, these pivotal times means something other than a politician. I understand the economy. I understand the world. I have a lot of foreign policy experience. I understand bureaucracies. I understand technology, and I understand leadership.
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