A Quote by Dacia Maraini

A writer is first and foremost a witness of her time. She must tell the truth, not take a political position. But then the truth that she discovers is profoundly political.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
I hope that people will say that 'she told the truth, she told her truth, she wasn't afraid to live her truth, and she wasn't afraid to live her truth out loud.' That's what I want my legacy to look like.
Woman must be put back in her place. Man’s great error was to put woman on a pedestal, when she is far more at ease on her knees – where she belongs. … Woman must be reacquainted with truth and force. She must be reacquainted with truth through force. … She must be shown in no uncertain terms the absolute nature of the master/slave relationship endemic to the sexes.
Mom spent the time that she was supposed to be a kid actully raising children, her younger brother and younger sister. She was tough as nails and did not suffer fools at all. And the truth was she could not afford to. She spoke the truth, bluntly, directly, and without much varnish. I am her son.
I brought a condom," I tell her when I slide her panties down. We're both hot and sweaty, and I can't resist hr anymore. "I did, too," she whispers against my neck. "But we might not be able to use it." "Why not?" I expect her to tell em this was all a mistake, that she really didn't mean to get me all hot and bothered just to tell me I'm not worthy enough to take her virginity, but it's the truth. She clears her throat. "It all d-d-depends on whether or not you're allergic to l-l-latex.
The truth of course was otherwise, but Lecha had never felt she owed anyone the truth, unless it was truth about their own lives, and then they had to pay her to tell them.
I want to tell her that I can't pull her down. I want to tell her that she has to let go of my hand in order to swim. I want to tell her that she must live her own life. But I sense she already knows that these options are open to her. And that she, too, has made her choice.
One day I'll give birth to a tiny baby girl and when she's born she'll scream and I'll tell her to never stop I will kiss her before I lay her down at night and will tell her a story so she knows how it is and how it must be for her to survive I'll tell her to set things on fire and keep them burning I'll teach her that fire will not consume her that she must use it
What's not fascinating about 'Wonder Woman?' She's powerful. She's strong. She gets her strength from other women. She kicks butt in the world. You know, she's bulletproof, which is appealing. But she also has the Lasso of Truth. That's the thing I would want most, that Lasso of Truth. Because in politics, it would be very handy.
"So?" he asked. She was stunned and amazed - and happier than she'd ever been before. It couldn't possibly be real, she thought - unless she spoke the truth aloud, with Daniel and the rest of the fallen angels there to witness. "I'm Lucinda," she said. "I'm your angel."
The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
So I called and said, 'Mommy, I'm doing a political film with Jean-Luc Godard. You have to come and sign the contract.' She thought I was lying, so she hung up the phone. But then she came the next day, even though she had never taken an airplane in her life. She came to Paris and she signed my contract.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
The next time she comes back, no matter what she says, listen to her well. If she cries, give her a handkerchief and wait until she's done crying. If she curses me, curse with her. And if by any chance she asks about me, tell her that I'm sorry.
This site uses cookies to ensure you get the best experience. More info...
Got it!