A Quote by Dacre Montgomery

I came from drama school, and it's a group of 18 people working together in every single production and splitting up the roles for three years, so I am very much about the team.
I was viewed as a little bit of an outcast. I didn't have one group of friends who I hung out with every single day. I would have friends on my football team, friends in drama, friends in video production, and I would hand out with different people. I know that wasn't the normal thing to do in high school. The normal thing is to be ina group or be part of a clique. But for me, I love hanging out with different people and just having fun.
One of the things that is particularly precious about working at Apple is that many of us on the design team have worked together for 15-plus years, and there's a wonderful thing about learning as a group. A fundamental part of that is making mistakes together.
The headmistress was a very well-respected theater teacher. She taught me what stage left and stage right were, what a director was, and what all these things meant, which was something I had no concept of. She sent me off to drama school, at age 18, and I stayed there for three years. Before I knew it, I was working on a TV show.
I spent three years at Central School of Speech and Drama in London, which I enjoyed very much.
I've been very physical my whole life. I went out hiking and camping for days in the Australian forest, and when I trained at drama school for three years, we did a whole lot on stage-fighting techniques. And I was a dancer from 5 to 18, so I have a memory for choreography.
I used to visit one production house every day, and I used to take up auditions even for small roles. Before my debut, I must have auditioned at almost every single production house.
I think that it is very interesting to write about a team because a team is a group of people who work in very close quarters and have very intense relationships so - in my days of playing sports, I was very rarely on a team that did not have it's own peculiar dynamic, and you wind up having very intense feelings for good and for bad about these people with whom you spend many hours a day.
I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.
I went to drama school and, after that, went to Paris to train at a place called Ecole Philippe Gaulier. When I came home, I realised I'd have to have a serious stab at it. I didn't have an agent and didn't have the traditional drama school showcase, so I started a comedy group with a couple of friends.
I applied to drama school when I was about 18 and didn't have any luck anywhere. They basically turned me away and said I had a bit of growing up to do. I went back to Aberystwyth and did my growing up by spending eight months working in Peacocks.
The indoor game is much more of a team game, having to work effectively with a group of 15 to 20 people, striving to improve every day, every drill, even every contact. The beach game is much more of an individual game within a team sport, much less about organized practices with coaches and much more about just playing the game.
I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
Actors on stage, you can go from playing a myriad of roles, from Shakespeare to a Eugene O'Neil drama, and it's the norm. I came up in a world where you're supposed to be able to do three things very well. Act, sing, dance, paint, do something. The emphasis was on versatility.
As soon as I went to painting school in New York, I took an experimental film course, and everything clicked and came together. I realized my love of music and drama and the visual arts all came together. This happened in 1989. Since then, it's been a long road of educating myself in every possible way.
I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.
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