A Quote by Dacre Montgomery

When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.' — © Dacre Montgomery
When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.'
Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.
Almost everything I tried out for I pretty much got. I landed Power Rangers, and the rest is history.
I'm looking for the thing that is different from the antagonist in 'Stranger Things,' different from the protagonist in 'Power Rangers,' and something that will really continue these two amazing opportunities I've been given.
I mean I think people prepared me for like a lot of green screen [in Oz the Great]. I didn't have a lot of green screen. They build most sets. When this castle was tangible, Emerald City was tangible, the forest, the woods was tangible, the cemetery, everything was there.
I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.
There's an amazing line in Marcus Aurelius: "The healthy eye ought to see all visible things and not to say, I wish for green things; for this is the condition of a diseased eye." Maybe green is your favorite color - but if you saw everything as green, that wouldn't be a blessing, it would be an eye disease. By the same token, if there was no heartbreak, and everything happened exactly as you want - it would be a less beautiful and meaningful story than the actual story, where you're a part of a huge complicated mysterious whole.
I was four or five, and my mom got all the Power Rangers to come through. I thought it was really them. I started crying tears of joy. It was so amazing. My favorite Power Ranger was the green one. He wasn't in every episode - he was rare, like Based God. He was like the Based God Power Ranger.
I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.
I made 'Super' for $3 million, and that was filmed in 24 days. And that $3 million dollars went to a lot of things other than what shows up on screen. Once you get done with the unions and everything else, that's just, like, the basic cost of what you can make a movie for.
If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.
On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.
Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.
It'd been about four months since shooting 'Power Rangers,' and 'Stranger Things' was the first thing I saw that made me think, 'I need this.' I had one day to get my act together, so I made a short film rather than a self-tape. It had an opening score, opening titles, and I may or may not have put on a g-string and danced to 'Hungry Like a Wolf.'
During 'Stranger Things 3,' I shot 'It: Chapter Two,' so I would shoot on my days off, which was super tiring and stressful, but really rewarding at the same time. Basically, I shot 'It: Chapter Two' and 'Stranger Things 3' at the same time.
For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.
Standing as a witness in all things means being kind in all things, being the first to say hello, being the first to smile, being the first to make the stranger feel a part of things, being helpful, thinking of others' feelings, being inclusive.
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