A Quote by Dacre Montgomery

For me, there is always a certain level of recklessness that, I think, gives you a certain foundation, that makes you more interesting as a person. — © Dacre Montgomery
For me, there is always a certain level of recklessness that, I think, gives you a certain foundation, that makes you more interesting as a person.
Some actors learn the habit of promoting themselves as a brand - by dressing in a certain way, by going out with a certain person - it gives them what they obviously want, which is to keep a level of fame. I'm not putting it down.
If you think you are beaten, you are. If you think you dare not, you don't. If you'd like to win but think you can't it's almost certain you won't. Life's battles don't always go to the stronger or faster man, but sooner or later, the man who wins is the man who thinks he can. A happy person is not a person with a certain set of circumstances, but rather a person with a certain set of attitudes. I may not be able to change the world I see around me, but I can change the way I see the world within me.
Turning the other cheek is not always the answer. In a certain situation on a certain day for a certain person, it's correct. Sometimes a good roundhouse kick on a certain day in a certain situation for a certain person is correct.
A photograph to me is always a reminder of how the person was on a certain day in that certain light fixed. When I look at a watercolor of that same person, it seems to me alive, more open than a photograph.
I don't think they understand it's as important as math and science. It rounds you out as a person. I think it gives you a love of certain things. You don't have to become the next great composer. It's just nice to have heard certain things or to have seen certain things. It's part of being a human being.
Music to me, still to this day, is this wide open landscape of potential sounds (and I have more words for it now as a grown person), but as a little kid I used to think, "oh, you can just make up melodies and sometimes when you make certain melodies it makes you feel a certain way."
Being Jewish is a big part of my artistic sensibility and my humor... I think it gives me a certain take on the world on a literary level.
If you want to do a certain thing, you first have to be a certain person. Once you become that certain person, you will not care anymore about doing that certain thing.
It's a very interesting thing because I can start mixing a song and leave the room and come back and maybe just slide one lever to a certain point, and it just - it's a certain feeling that it gives you when you know it's right.
If I am in a certain mood, and I want to feel a certain way, I will pop on a certain color of lipstick, and it makes me feel entirely different.
People are always talking about freedom. Freedom to live a certain way, without being kicked around. Course the more you live a certain way, the less it feel like freedom. Me, uhm, I can change during the course of a day. I wake and I'm one person, when I go to sleep I know for certain I'm somebody else. I don't know who I am most of the time.
Obviously I want to win all the big tournaments - I would hate to look back and not have won them. I also think, for me, there's something about reaching a certain level rather than getting a certain number of wins.
I think as technology and expertise makes possible these sort of amazing levels of fidelity to the real world, a lot of people sort of get sort of - what's the word I'm looking for - seduced into that. And after a time, they get tired of it and they become a little bit more interested, I think at a certain level of subtraction and a new level of sophistication.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
If there's a certain song that I want to reach a certain person or certain type of person, that's when I play it for people.
I'm always producing with the idea that the music is representing one person. That could play a factor in the intimacy of it. I'm always producing for that one person, never for a group of people - especially if it's non-danceable. I'm always thinking that one person's going to listen to this and that person might want to feel a certain way at a certain time. That can be out in space, it can be at the bus stop, it can be laying in bed listening to music. I look at it as if I'm whispering in someone's ear, basically.
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