A Quote by Dacre Montgomery

I recall very early Mel Gibson films where he's kind of cheeky. I wanted to embody those qualities, definitely. — © Dacre Montgomery
I recall very early Mel Gibson films where he's kind of cheeky. I wanted to embody those qualities, definitely.
I'm very proud of being persona non grata. I've never been that before in my life, and that suits me extremely wellI'm known for provocations, but I like provocations when they have a purpose. And this had no purpose whatsoever. Because I'm not Mel Gibson. I'm definitely not Mel Gibson.
I remember watching Mel Gibson on some show once, and he was being asked about his belief in the afterlife. Gibson said: 'Well, I can't believe this is all there is'. And I thought: 'Wait a minute. You're Mel Gibson. You have millions of dollars. You're a great-looking chap with every conceivable blessing that could be bestowed upon a man. And that's not good enough ?'
Unnamed entertainment industry moguls are now telling the New York Times that they intend never to work with Mel Gibson again. After all, how dare Mel Gibson challenge the public by producing a film that spurs public discussion, that pushes the envelope, that takes an old story to a new level. How dare Mel Gibson follow his own passion as a filmmaker. How dare he make $20 million on the opening day box office!
Mel Gibson is my friend. I love Mel. He's not the person that I hear people are often trying to diminish. Whatever his challenges are in life, he still remains someone I'm very close to.
I did Air America for two reasons: to be in a movie with Mel Gibson and to make a bunch of money. And then underneath there was the hope that in doing this formulaic thing I would be launched into a whole new realm of opportunity to do A-list movies. By the time we were done, the only positive thing was meeting Mel Gibson.
So far, yes, I have been doing only commercial films because those are the kind of films that came my way. Those are the kind of films that I liked, but definitely I'm open to doing other kinds of cinema as well, and if something comes along - if I like a character - then I would definitely do something off-beat or edgy.
A lot of elders don't really like me in music because they just think I'm a little cheeky prick and I'm arrogant. I'm definitely cheeky, I'm definitely a prick and I'm definitely arrogant.
[Mel Gibson] played this kind of sadistic motorcycle cop. He was terrific. And he had this great sense of visual comedy.
I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.
American movie audiences now just don’t seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative - I’m talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
Once Mel Gibson revealed himself to be, like the president, a person of serious religious faith, the gloves came off. Mel Gibson has done a major favor for serious faith, both Jewish and Christian, in America. He has made it "cool" to be religious, but in so doing he has unleashed the hatred of secular America against himself personally, against his work and against his family. God bless him.
I think 'Girlfriend' in particular is definitely one of the songs that is angled towards early 2000s, late '90s, R&B pop and those kinds of songs that were prevalent in that time. I don't think I was conscious of those songs in particular, but I'd say I definitely wanted a song that had that kind of vibe era wise in tone and all the writing.
When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.
I love that Mel Gibson.
What's it like to kiss Mel Gibson?
What actor wouldn't want to work with Mel Gibson?
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