A Quote by Dada Vaswani
The one who turns his back on the world and its comforts and, sets out on the path that leads to the Beloved has to face countless difficulties. But he brakes them all for the sake of the Beloved.
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The curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
Repeating the name of the Beloved
I have become the Beloved myself.
Whom shall I call the Beloved now?
Beloved is man, for he was created in the image of God. Beloved are Israel, for they were called children of God. Beloved are Israel, for unto them was given the desirable Torah
In truth everything and everyone Is a shadow of the Beloved,
And our seeking is His seeking
And our words are His words...
We search for Him here and there, while looking right at Him.
Sitting by His side, we ask:
'O Beloved, where is the Beloved?'
Seek and Hide: the Lover gazes at the Beloved. The Beloved looks away. The Beloved turns and looks at the Lover. The Lover runs away.
If you believe you are the beloved of God, you need to spend time listening to his voice - period! You can't say, "Yes God calls me the beloved, but I have to go out to do something now."
Our entire case as members of The Church of Jesus Christ of Latter-day Saints rests on the validity of this glorious First Vision. ... Nothing on which we base our doctrine, nothing we teach, nothing we live by is of greater importance than this initial declaration. I submit that if Joseph Smith talked with God the Father and His Beloved Son, then all else of which he spoke is true. This is the hinge on which turns the gate that leads to the path of salvation and eternal life.
Love remains a relation with the Other that turns into need, transcendent exteriority of the other, of the beloved. But love goes beyond the beloved... The possibility of the Other appearing as an object of a need while retaining his alterity, or again,the possibility of enjoying the Other... this simultaneity of need and desire, or concupiscence and transcendence,... constitutes the originality of the erotic which, in this sense, is the equivocal par excellence.
It's much harder to play beloved than to play a rotten guy. Rotten guy is a piece of cake. So playing a beloved person really sets a high bar for your behavior and your acting and what you project.
A person sets out to write a poem for a variety of reasons: to win the heart of his beloved; to express his attitude toward the reality surrounding him, be it a landscape or a state; to capture his state of mind at a given instant; to leave - as he thinks at that moment - a trace on the earth.
He felt a momentary pang of regret that he had not spent more time with his beloved wife. But it passed when he remembered that the reason he’d gone to sea in the first place was that he had never really liked his beloved wife.
Those who love desire to share with the beloved. They want to be one with the beloved, and Sacred Scripture shows us the great love story of God for his people which culminated in Jesus Christ.
My heart is the throne of the Beloved, the Beloved the heart's destiny: Whoever breaks another's heart will find no homecoming in this world or any other.
Love works in a circle, for the beloved moves the lover by stamping a likeness, and the lover then goes out to hold the beloved inreality. Who first was the beginning now becomes the end of motion.
I understood how a man who has nothing left in this world may still know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when a man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way - an honorable way - in such a position man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment.
Pleasure and pain at once register upon the lover, inasmuch as the desirability of the love object derives, in part, from its lack. To whom is it lacking? To the lover. If we follow the trajectory of eros we consistently find it tracing out this same route: it moves out from the lover toward the beloved, then ricochets back to the lover himself and the hole in him, unnoticed before. Who is the subject of most love poems? Not the beloved. It is that hole.
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