A Quote by Dag Hammarskjold
Praise those of your critics for whom nothing is up to standard.
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And what the people but a herd confus'd,
A miscellaneous rabble, who extol
Things vulgar, and, well weigh'd, scarce worth the praise?
They praise, and they admire, they know not what;
And know not whom, but as one leads the other;
And what delight to be by such extoll'd,
To live upon their tongues, and be their talk,
Of whom to be disprais'd were no small praise?
Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.
Praise God, from whom all blessings flow! Praise Him, all creatures here below! Praise Him above, ye heavenly host! Praise Father, Son, and Holy Ghost!
Praise is nothing that accumulates. Praise is a sequence, especially if you've toiled for a long time. Praise does not pile up. So in a way, you can't get too much. I don't consider it to be a quantity that you can measure by volume.
Does he have a double standard for black critics as opposed to white critics?
We have to decide whether our fear is going to get the better of us. Once upon a time we had a standard in our country that was 'innocent until proven guilty.' We've given up on so much. Now, people are talking about a standard that is 'if you have nothing to hide, you have nothing to fear.' Think about it. Is that the standard we're willing to live under?
Praise and glory to God for whom nothing is too hard
There is nothing so necessary, but at the same time there is nothing more difficult (I know it by experience) for you young fellows, than to know how to behave yourselves prudently towards those whom you do not like. Your passions are warm, and your heads are light; you hate all those who oppose your views, either of ambition or love; and a rival, in either, is almost a synonymous term for any enemy.
I don't really give in to the critics because critics are always going to criticize, and what have they done? A person who has never done nothing can't really care nothing about doing something. So as far as the critics, I don't care what they think. I don't have time to give to critics.
You may be liberal in your praise where praise is due: it costs nothing; it encourages much.
Who shall blame whom, who praise whom? Whom to seek, whom to avoid? I seek none, nor avoid any, for I am all the universe. I praise myself, I blame myself, I suffer for myself, I am happy at my own will, I am free. This is the Jnâni, the brave and daring. Let the whole universe tumble down; he smiles and says it never existed, it was all a hallucination. He sees the universe tumble down. Where was it! Where has it gone!
Don't cohabitate. Don't fornicate. Don't look at pornography. Don't create a standard of beauty. Have your spouse be your standard of beauty. This is one of the great devastating effects of pornography: you lust after people and compare your spouse to them. It's impossible to be satisfied in your marriage if you don't have a standard that is biblical; that standard is always your spouse.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
beware those quick to praise for they need praise in return beware those who are quick to censor they are afraid of what they do not know beware those who seek constant crowds for they are nothing alone beware the average man the average woman beware their love, their love is average seeks average
That man, we may be sure, is a person of true worth, whom those who envy him most are yet forced to praise.
'Basic Black with Pearls', upon its publication in 1980, was greeted with a mix of praise and misunderstanding. Critics sensed its daring and applauded its formal inventiveness, but those qualities also kept people at bay.
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