A Quote by Daisy Ridley

When I feel comfortable, I just like to sing and hum, and I don't even know I'm doing it. But sometimes someone will come over to me like, 'I love that song you were singing, but it's distracting.'
When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
Singing a song like 'Your Love Is Killing Me,' people are worried about me. My mother called me, like, 'What's going on with you? Are you alright? I thought you were doing fine.' And I'm like, 'I am doing fine. It's just, this is what I do.'
One day I was at the park with my family, all my cousins and stuff, in Frankston... We were all just singing a song and my aunty was like 'oh guys, she can actually hold a note.' I think that's the earliest memory of someone actually pointing me out as someone that has an ability to sing. I was probably like 7 years old.
I'm very comfortable singing myself, first of all. Secondly, there's a certain disconnect when you write the song and you have someone else sing it for you. And it's kind of like a fakeness about it.
I feel like sometimes, when I'm singing a song like 'Moment of Forever,' that it goes both to your significant other and to the audience, and was it wonderful for you, you know? I think the best love songs I've written work on that level, like 'Help Me Make It Through the Night.'
Sarcasm is weird. Even not in acting, in life I feel like 'sarcastic' is a word that people use to describe me sometimes so when I meet someone, it's almost like they feel like they have to also be sarcastic, but it can sometimes just come off as mean if it's not used in the right way.
There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, 'Velouria'] - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
If I'm recording a song, and it's kind of fuzzed out, but I've got this super candy melody, I feel nothing but freedom that I can just sing over the top, and it will be appreciated. It won't be like, 'What is he doing?'
I wouldn't want someone assuming that some negative song has some truth between me and my wife. There was a song that one of my buddies sent me, and it was an awesome song. It was about this woman who had fallen in love with a man that wasn't her husband, and I love everything about the song except for the fact that I personally cannot sing it. It would kill me if someone thought I was singing it about my wife.
Money is important, but I gotta like the song to play it. I won't just jump on anything because someone asked me to jump on it. I'm a musican. I love music. I gotta like it and feel comfortable with it.
I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
I can't sing, but I'll sing over this chord progression, like, over and over, for however long it takes - sometimes it's, like, two minutes, sometimes it's 20 minutes - until I've found like a hook or something that I'm really happy with. And then, basically, it just like that's my melody, and that's where I start from.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
I just feel like it's easier to co-write sometimes, especially if you have chemistry with somebody. It kind of takes all the pressure off of you. But, you know, I started writing songs by myself. I didn't really have a co-writer, besides my dad. When I see a record and it has a song on it that someone wrote [alone], I just really believe in them as a writer. I feel like it's a window into them, more than it is if you write a song with someone else.
I'm very soulful. I grew up singing in church. When I sing a song, I like to feel what I'm singing.
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