A Quote by Daisy Shah

As far as I am getting interesting projects to work in, it doesn't matter whether it's Bollywood, South or Gujarati. The script is the hero for me. — © Daisy Shah
As far as I am getting interesting projects to work in, it doesn't matter whether it's Bollywood, South or Gujarati. The script is the hero for me.
I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.
I am ready to work in any industry whether its Bollywood, Hollywood, the digital platforms, South Indian film, or Bengali films. Wherever I get a good opportunity, I'll be there.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself.
I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
I am greedy for both Hollywood and Bollywood. For me, Bollywood is not new, as it is something that I grow up on... I know the plot... stories and characters that are written and made. I haven't got the right opportunity to show my work in Bollywood.
It's not that I am not being offered work in Bollywood but I seldom like any script.
I am not a part of Bollywood. Nobody cares about me in Bollywood and I have mentally resigned from Bollywood long ago. I am an independent filmmaker.
In terms of script, Bollywood should learn from South Indian scripts. Not talking about the fights and action, I am talking about the drama bit.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
Whenever someone asks me to name a dream hero or pair, I always end up getting Bollywood names in my mind.
I am not just sitting and reading everything because honestly sometimes the scripts that appeal to me are projects that are not good projects, but I just really like the script or the characters.
I hadn't made up my mind whether I had to do Hollywood or Bollywood films because I loved both, and I grew up on both. So I am glad that Bollywood chose me.
I'm interested in seeking projects no matter where, no matter if it is in the United States, whether in Chile, whether in Venezuela.
At the end of the day, you can decide whether you want to be an employee with a great attendance record, getting promoted to ever better titles and working on interesting projects - or whether you want to attempt to do something spectacular - this be or do should be a question you never stop asking yourself - for the next 20 years, and beyond.
I am pleased about making a comeback in Bollywood, but then I really cannot think about leaving South Indian cinema. Whatever I am today is because of South films, and I cannot give up on that.
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