A Quote by Daisy Whitney
My mom was there to answer the unanswerable, to make sense of the fault in our life - and we got through that somehow; we came out on the other side. Now I'm 0 for 2 and I don't get any more pitches to swing at.
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I think, most of us, when we look back over our lives, see perhaps moments when everything was dangerous and precarious. We're making all these mistakes, and yet somehow we make it through. It's the making it through that that interests me. To go through the valley of trouble and come out the other side. That's what we all have to do.
I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.
It's like a paradox. For one side, being popularized rap got better and the other side of it got worse. It's very pop and it's very different now. When you make it as pop and as soft as it is, it lacks its integrity. It lacks its accountability. It lacks a lot of other things that came from that dangerous time in hip hop.
It's weird to make a decision where everyone in your life disapproves, pretty vocally and directly. They said, "You've got one year left. Just do it." I had a full scholarship so I didn't have to pay for it. They asked, "Why don't you just get the degree so you can have it?" And I said, "You don't understand. I was trying to figure out what I wanted to do and now I know. I have the answer and it's dumb to waste any more time."
I just tell you and though I dont sound like it I've got plenty of sense, there aint any answer, there aint going to be any answer, there never has been any answer, that's the answer.
Life's not so rocky now. It was very volatile when you're young: you've got no experience. Your sense of disappointment is far greater; your sense of success is overwhelming. And then you've got the emotional conflict within any group that you're not mature enough to deal with until you get older. It levels out.
When the old way of seeing was displaced, a hollowness came into architecture. Our buildings show a constant effort to fill that void, to recapture that sense of life which was once to be found in any house or shed. Yet the sense of place is not to be recovered through any attitude, device, or style, but through the principles of pattern, spirit, and context.
If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.
How to hit home runs: I swing as hard as I can, and I try to swing right through the ball... The harder you grip the bat, the more you can swing it through the ball, and the farther the ball will go. I swing big, with everything I've got. I hit big or I miss big. I like to live as big as I can.
I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.
What is the meaning of human life, or, for that matter, of the life of any creature? To know the answer to this question means to be religious. You ask: Does it make any sense, then, to pose this question? I answer: The man who regards his fellow creatures as meaningless is not merely unhappy but hardly fit for life.
With the Internet era and social media and politics being so out there with the lies, now you've got people denying things they're on camera doing, and then you've got people not really caring about the truth. You've got people supporting people who've done horrific things, but just don't want the other side to get any satisfaction.
I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
I think it looked like I was a little more aggressive than I was, ... I swing at bad pitches anyway, but I was swinging at even more bad pitches and missing. It looked worse. But I was thinking about [the milestone], no doubt about it.
We go through our lives in a continual dance of being filled with something that needs an answer, and then going out and finding that answer... only to find out that our answer wasn't quite the answer.
LeBron doesn't have any weaknesses, or he doesn't have a glaring weakness. So you've got to pick up on the smaller things to try to make him uncomfortable. Like knowing which side he likes to shoot threes off the dribble, which side he likes to drive. One side he'll drive left more often, and the other side he'll drive right more often.
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