A Quote by Dakota Blue Richards
I think I've learned a lot working with actors as experienced as Nicole Kidman and Daniel Craig. They taught me that whatever happens during a take, you should just carry on. Don't ever stop until the director tells you to stop.
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I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
If I ever stop being grateful for gigs, I just need to stop. Because this business is... you know, it's just so kind of job-to-job, and the fact that I've continued working... I'm just incredibly thankful for it. And I never, ever take it for granted.
We didn't have a lot of time to really prepare for a great chemistry. It was more instantaneous and instinctive. In the morning I went to Daniel Craig trailer and if I wanted to make some changes there was sort of a go between me and the director. It was good because Daniel is always like, "C'mon let's go for it. Let's fight for it!"
Look, if I ever stop being grateful for gigs, I just need to stop. Because this business is... you know, it's just so kind of job-to-job, and the fact that I've continued working... I'm just incredibly thankful for it. And I never, ever take it for granted.
Daniel Boulud told me at a young age, 'Whatever happens to you in your career, you're going to be great - be humble. Just be humble.' And I think about that daily. Like, whatever happens to me, whatever awards we win as a team or whatever else, just be humble.
The first person I ever really got starstruck over was Nicole Kidman, because I looked up to her. When I was younger, I wouldn't get parts because of how tall I was. I had the body of a 15-year-old but the face of a 12-year-old. I always looked at Nicole Kidman and thought, "Oh well, she works."
The first person I ever really got starstruck over was Nicole Kidman, because I looked up to her. When I was younger, I wouldn't get parts because of how tall I was. I had the body of a 15-year-old but the face of a 12-year-old. I always looked at Nicole Kidman and thought, 'Oh well, she works.'
I think the best way to find out about something is to try to do it to the max. A lot of people take up a hobby or sport and then find an excuse not to carry on with it. Once I start something, I won't stop until I'm as good at it as I'll ever be.
I don't know what acting is, but I enjoy it. I think we ask too many questions of ourselves. We make too much importance of stuff. But I do say to actors when I have taught in classes, or when I sometimes do a talk to a group. I'll say, “If I never acted again, the world wouldn't stop, nor would it stop if I didn't stop acting. That's how important it is. I know it [seems] important when you're young. But I say, “Lighten up. Don't take it all so seriously.” All the gurus and teachers will take your money and run.
One day, you're talking with Tom Hardy; the next day, you have Nicole Kidman kissing your feet. I never thought I'd be able to say that in my lifetime, Nicole Kidman kissing my feet. It's mad.
To me, when - just like when you watch a movie or you watch a TV show, to me, you know, Nicole Kidman or Leonardo DiCaprio, you know that they are actors, but also, great actors find that extension of themselves. So, when I walk through that curtain, I find the extension of myself of being the Ravishing Russian in there.
It's a surreal thing because you are there and made up and dressed up as if you're making the film. You do the scene, which is going to be in the film, and I met him [Daniel Craig] and I'm working with the director, and so it is different to just a normal audition.
You can't stop me in bump. And you definitely can't stop me playing off. You just try to contain me and stop me from getting a lot of catches.
I learned a lot from working with and watching Knxwledge, seeing how he produces non-stop. He doesn't dwell too long on stuff. He's very simple, using only about two or three elements. I like that in production. Sometimes it doesn't take more than three drums, a melody, the vocal, looping a sample or whatever, just as minimal as possible.
I knew I wanted to be an actor. I just kept saying, "Until somebody tells me to stop, until I have to go get a real job, and until I'm practically homeless, I'm not gonna get one."
Just stop it. Seriously. Whatever it is. Just stop it. If only for an hour, a day, a week. Stop doing it long enough to get a glimpse of what the change would actually look like.
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