A Quote by Dakota Blue Richards
I think I matured quite early, but what that does mean is I have moments of complete immaturity. When I come home, I don't want to be an actor. I just want to be a kid. I barely even know what money is.
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I myself started out quite young; when you're working, professionally, even if you are in your teens, you just want to be treated the same as everybody else. You just want people to see you as an actor and not as a kid.
Actors go, 'I just want to act.' And I say to them, 'You know, stop for a second and think about what charges you up the most. Do you want to be on the stage, do you want to be in film, do you want to be a comic actor? Do you just want to make it for the money and capitalize on your look and do commercials and soaps?'
It's funny to be discovered by a lot of people who didn't know you before. People always used to say, 'Do you shop at Home Depot?' or 'Does your kid go to such and such school?' They want to know why they know me, even if they don't know my name. I don't think that's a bad thing, by the way; I think it's nice to be kind of anonymously famous.
Obviously, it's designed by record company executives who want a cheap success, and they don't want to give money to anybody and they don't want to give contracts, so they've created this world of very bubbly teenagers who want to be "idols" and they think all they have to do is mime quite well and they've made it. ... But it's not the problem of the kids, it's the problem of the record companies, because it's just an inexpensive way for them to have so-called, I won't say "artists", but erm...You're nodding, you know what I mean.
I just want to continue to grow, as an actor, and dig. Hopefully, one day, I'll lose myself in a role. My only worry about that is that I just want to be able to come back home. I don't want to get lost forever. That scares me.
If you want to have more options as an actor, you just need to watch your weight, and I've ignored that fact for several years quite happily. Now the chicks have come home to roost.
I want to make meaningful music always - I think every artist does. We want our words and melodies to mean something to people, even if it is just one person.
I think it's quite tricky for actors to release albums. It's difficult, because I'm an actor, you know, I'm not a musician. I love singing, but I don't have a big repertoire of songs that I've written; I mean, I've got a few, but nothing that I could fill an album with, and I don't want to do it just for the sake of it.
I play this game not just because of the money, man. I play because one day I want to put on that Hall of Fame jacket. Also, I want a Super Bowl. The money is just going to come anyway. But if you're not happy, the money really doesn't mean anything.
I want to save up money. This is probably long-term, but I for sure want to get into real estate and flip houses and start doing stuff like that. So I'm saving money. And, you know, being a kid at the same time. I want people to know I'm literally just a 16-year-old punk who's trying to hang out with some homies on the weekends.
I think that we definitely want to experiment, and if there's a hip-hop song that we like, we'll cover it. We don't want to be one of those bands that's like, you know, you know - Carolina Chocolate Drops does hip-hop. I mean, just know - you know, if it naturally works itself in, you know, cool.
Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.
People don't want to be understood - I mean not completely. It's too destructive. Then they haven't anything left. They don't want complete sympathy or complete understanding. They want to be treated carelessly and taken for granted lots of times.
I really don't want to be associated with the low-brow Black Metal genre. If you want to know what I mean when I say that, just have a look at an Immortal video on YouTube or something. It's so dumb I don't know what to say, really, and it's so ridiculous, we can barely tell the difference between the real stuff and the parodies.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
Even now, when people come up to me and say, 'My kid's an actor. They want to move to L.A. What should they do?' Even if you wanted to help them as much as possible, there's really nothing you can do.
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