A Quote by Dakota Fanning

I never get scared making these kinds of movies because it's all make-believe, but I did cry when I saw the finished version of Man On Fire because it is so sad. — © Dakota Fanning
I never get scared making these kinds of movies because it's all make-believe, but I did cry when I saw the finished version of Man On Fire because it is so sad.
Why does a man cry? he wondered. Not like a woman; not for that. Not for sentiment. A man cries over the loss of something, something alive. A man can cry over a sick animal that he knows won't make it. The death of a child: a man can cry for that. But not because things are sad. A man, he thought, cries not for the future or the past but for the present.
I went into 'RuPaul's Drag Race' saying, 'I'll never cry.' Because they make fun of every queen that cries on the show. And I did cry, and I did scream, and I did have doubt, and I did have great, victorious moments.
I could really make a song of hurt, because I've been hurt by a lot of men. I'm talking about, like, how sad I be when a dude curves me. And I never talk about that because I refuse to let people know that I get sad because when a man don't answer my calls.
I usually don't cry at movies, although I will get sad. I'm okay with it, though. It's good to make people cry.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
a man does not cry because he is sad, he is sad because he cries
People follow my movies for a reason, and that's because I believe in them, and I don't want to just make movies for the sake of making movies.
I can get sad, I can get frustrated, I can get scared, but I never get depressed - because there's joy in my life.
When you make a film, you're creating the illusion of a natural experience. But everything is created on purpose. If I want you to be scared, I'm trying to scare you. If I want you to cry, I'm trying to make you sad. If I want you to laugh, I'm trying make you laugh. So, how I get you there is what makes it interesting, because I also want it to feel seamless, and not forced. That kind of constant experimentation is just fun to explore, and I love it.
Movies are great fun and wonderful when they're good. But you never get to see them till six months after they're finished. So you never get a sense of whether they're really well liked or how good they are. And you don't really know what the finished product is going to be like, because it's a director's medium.
The Seydoux-Schlumberger industrial empire won't make $100 million movies. Hollywood does that much better. But you don't make movies because of their budgets, you make movies because you believe in them. Setting limits doesn't matter to me.
My teacher in first grade said that long ago people used to believe all kinds of things, because they didn't know any better. Like you shouldn't take a bath, because it could make you sick. And then someone saw germs under a microscope and started to think differently. You can believe something really hard, and still be wrong. (Faith White)
I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
In a book, even the real bastards can't hurt you. And you can never loose a friend you make in a book. When you get to a sad part, no one's there to see you cry. Or wonder why you don't cry when you should.
Cry as much as you want to, but just make sure when you're finished, you never cry for the same reason again.
I love movies that make me cry, because they're tapping into a real emotion in me, and I always think afterwards "How did they do that?"
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