A Quote by Dakota Fanning

As much as movies are about the words that you're saying, they're also about what's not said, the silent moments. — © Dakota Fanning
As much as movies are about the words that you're saying, they're also about what's not said, the silent moments.
I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.
I felt like I could write about quiet, self-contained moments and also about those moments when the world rushes in again.
I think its important for movies to recognize that they are part of a history of movies. I also think that most movies are about movies anyway, even if they're about something else.
Angelina, Alicia, and Katie suddenly giggled. "What?" said Wood, frowning at this lighthearted behavior. "He's that tall, good-looking one, isn't he?" said Angelina. "Strong and silent," said Katie, and they started to giggle again. "He's only silent because he's too thick to string two words together," said Fred impatiently.
There is nothing that can be said by mathematical symbols and relations which cannot also be said by words. The converse, however, is false. Much that can be and is said by words cannot successfully be put into equations, because it is nonsense.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough.
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story.
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story
Then I guess we cannot miss the famous festival in New Orleans," he found himself saying, just to take the shadows from her eyes. She was silent a moment, her fingers twisting in the blanket. "Do you mean it, Gregori? We can go?" "You know how much I love crowds of humans," he said, straight-faced. She laughed at him. "They don't bite." "I do," he said, the words low and soft, his silver gaze at once possessive.
I think so much of the horror film is about our primal instincts, and our primal instincts are not just towards violence. It's also towards sex. I feel like horror movies, as much as they're about violence, they're also about sex. It's about our instincts, so in that regard, it's crucial that you honor both of those things.
I really think more about being honest and truthful about feelings and how people behave for the movies that I direct, but I also love movies like Zohan and Anchorman, just balls to the wall, how much can you make people laugh in one 90 minute period.
Our first love-letter ... There is so much to be said, and which no words seems exactly to say - the dread of saying too much is so nicely balanced by the fear of saying too little. Hope borders on presumption, and fear on reproach.
I was pretty realistic to people about what we could get done, and the situation we were in, and trying to tamp down expectations. If you listen to my stump speeches, if you listen to what I said at Grant Park, I kept on saying, "Look, this is not just about me, this is not going to happen in one year, or one term, or even one presidency." And we tried to layer into everything we were saying a sense of hope, but also realism.
When I decided to take on acting as a career and a profession, I didn't know much about it. I knew that I was passionate about it. There was nothing else I could think of that I wanted to do and that's when I knew it was the right choice. It was also one of the scariest moments of my life.
'Birdman' has kinda... changed things. I'm not saying you won't see traditionally made movies any more. But I've had meetings with directors, and they've said it makes them rethink everything. You can hate this movie, but you have to talk about it. It's going to go down as one of the most interesting movies ever made.
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