A Quote by Dakota Johnson
I grew up around really not-normal people. My family is general Hollywood. They're all artists; they're creative people who are advocates for expressing themselves. But I also have to say I'm not impressed with Hollywood.
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My mother's whole family had been from the theater, really. Because I grew up in Hollywood, I wasn't that interested in Hollywood. But the New York theater was completely exotic and fabulous to me.
It's important to have people around who love themselves, are true to themselves, who have their own hobbies and their world doesn't revolve around Hollywood. I can always go to my family with any doubts or questions I may have.
I grew up in a Hollywood family with money, so money is not the reason I make music. I'm as Hollywood as it gets. Not internally but externally - that's my bloodline.
A lot of people who are actors and artists who work in Hollywood come from a background of abuse, and you can make abused people very fearful and they'll do what they're told. Hollywood definitely has a point of view that it sells.
People are always saying that Hollywood messes up kids. I'm like, 'No, families mess up kids!' I grew up in Hollywood, and I'm perfectly fine. If my children want to go into the entertainment business, I won't stop them, as long as they're passionate about it.
It's just about keeping people who are close to me, near. It's important to have people around who love themselves, are true to themselves, who have their own hobbies and their world doesn't revolve around Hollywood.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
What Hollywood truly wants is for people to be themselves. I think what it's designed for is to kind of turn people into something and just make them saleable. But what it really stands for, what it really loves, are people who are unafraid to be themselves, and as you can see, these are people who are excelling in their careers.
I think the message has already been sent to Hollywood, which is that this kid's a hard worker, he's talented, and people are coming out to see him. And when you have box-office results, Hollywood treats you different. Hollywood stands up.
I want to be able to work on a project that will give people around the world the chance to represent their own people, their own culture, their own stories, rather than just Hollywood - really, you know, dominated Hollywood. And that's a dream of mine.
You could say I'm the pioneer in the way I have changed some people's perception of not only sports people but of gay men in general. It's also important that people also realise that as much as a pioneer I'm also just a normal person. I'm normal but I've done something that's pretty powerful as well.
I will say they were horrified when I wanted to be an actor. It wasn't a showbiz-y family, and my parents are real introverts who don't go to a lot of Hollywood parties and are most comfortable in their pajamas in our sweet little home. Part of the reason I wanted to be an actor and not just a writer is because I felt much more extroverted than that - I love to be around people, and feed off people's energy, and collaborations. If I hadn't had their example, I wouldn't have been so serious, but I also wouldn't have wanted so much to find another creative outlet.
I didn't come to Hollywood. Hollywood came to me. A lot of people wish they could say the things I say. Everyone out here is so phony, it's sickening.
I became super claustrophobic with Hollywood. I don't like Hollywood. I don't like what it represents. I think that Hollywood is great if you're an actor, actress, established. But for reality people or what people perceive as reality, it's tough. People are constantly discrediting everything you put on camera.
[A]t the beginning of November 2001, there was a series of meetings between White House advisers and senior Hollywood executives with the aim of co-ordinating the war effort and establishing how Hollywood could help in the "war against terrorism" by getting the right ideological message across not only to Americans, but also to the Hollywood public around the globe the ultimate empirical proof that Hollywood does in fact function as an "ideological state apparatus.
When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.
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