A Quote by Dale Chihuly
Glass is the most magical of all materials. It transmits light in a special way.
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Glass is the most magical of all materials. It transmits light in a special way...Im pleased that my art appeals to so many people of all ages. As a parent and an artist, Im especially looking forward to leaving a legacy at The Childrens Museum, a place where I hope my work brings joy to children who visit from all over the world.
You were just a boy on a bed in a room, like a kaleidoscope is a tube full of bits of broken glass. But the way I saw you was pieces refracting the light, shifting into an infinite universe of flowers and rainbows and insects and planets, magical dividing cells, pictures no one else knew.
Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends.
I have a magical work in a magical way. I give magical service for magical pay.
By words one transmits thoughts to another, by means of art, one transmits feelings.
The way that the background fields generates mass is rather like the way in which when light passes through a transparent medium like glass or water, it gets slowed down. It no longer travels with the fundamental velocity of light c. And that's the way to think of the generation of mass.
'Party Down' was one of the most magical, special experiences of my professional career. Also special in my personal life, too. I made really good friends, and I had just a great time, and it was a great part.
There is something fundamental about Leo in terms of what he transmits to the supporters and what he transmits to the opposition when he starts to run at you. And I speak from experience.
The humble person receives praise the way a clean window takes the light of the sun. The truer and more intense the light is, the less you see of the glass.
Most architects say: I want to use this type of glass, even if it's too reflective or doesn't let enough light in. However, the use of a certain type of glass might change the comfort level.
The entrances I make now, when we kick in the door of a high-risk warrant, eighty percent of the homes we're kicking into, it's dark in there for some reason. That's just the way the bad guys are doing it now. So now all of my sights are night sights; I've also put special light rails on the bottom of all of them so I can put a special light on them that's combination white light/laser.
For me, the defender I respect the most is Giorgio Chiellini. He's one of the best defenders in the world. I really like the way he plays football on the pitch, the way he defends. He lives for the game. He transmits a sense of tranquillity to his team-mates. I have always admired his way to play.
In our absence, the violet early evening light pours in the bay window, filling the still room like water poured into a glass. The glass is delicate. The thin, tight surface of the liquid light trembles. But it does not break. Time does not pass. Not yet.
LISP has jokingly been described as "the most intelligent way to misuse a computer." I think that description is a great compliment because it transmits the full flavour of liberation: it has assisted a number of our most gifted fellow humans in thinking previously impossible thoughts.
The old idea that words possess magical powers is false; but its falsity is the distortion of a very important truth. Words do have a magical effect - but not in the way that magicians supposed, and not on the objects they were trying to influence. Words are magical in the way they affect the minds of those who use them.
"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects."
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