A Quote by Dale Murphy
Maybe I am naive about certain things. But I'm glad. I know all I want to know.
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I know there is a stereotype that I am naive, but I know what I want, and I know what I'm doing to get there.
At a certain point we need to grow up; we need to look inside ourselves for our inner guidance. There are things most human beings know; they just don't want to know them. They know deep down that certain things in their lives are working or aren't working, that certain parts of their lives are functional and others are dysfunctional. But sometimes, as human beings, we don't want to know what's not convenient. So we pretend not to know.
I think I'm more grounded, you know, and I know what I want out of life and I'm, you know, my morals are really, you know, strong and I have major beliefs about certain things and I think that has helped me, you know, from being, you know, coming from a really small town.
I am still so naïve; I know pretty much what I like and dislike; but please, don’t ask me who I am. A passionate, fragmentary girl, maybe?
The reason for privacy is not so that people will not know you go to the bathroom. It's to allow certain things to go on that you don't want other people to know about, when all is said and done. But the things I don't want other people to know about are not my sex life.
You know, you get to a certain age, 45, 50, I don't know when it happens, I said, 'Jesus, all I got is a certain amount of time. Maybe I should think about using it a little better.'
All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
Well, if it's naive to want peace instead of war, let 'em make sure they say I'm naive. Because I want peace instead of war. If they tell me they want war instead of peace, I don't say they're naive, I say they're stupid. Stupid to an incredible degree to send young people out to kill other young people they don't even know, who never did anybody any harm, never harmed them. That is the current system. I am naive? That's insane.
I think that is one of the things that is beautiful about fiction and that you can do through drama. If I was a detective, I could make a certain version of everything we know to be exactly true. And that would have a certain kind of truth value. And there are certain other things that we know that are emotionally true.
We hear a lot about the notion of objectivity, and I'm not sure I know what that is. I know what fairness is. I know what honesty is. And I know what the heart and emotions are. I think those are the things I particularly want to embrace. I would not want anyone to take away my right and my ability to communicate my feelings about the things that I see.
There are things we know and things we don't know about food. But there are certain basic things we do know, and that's what I've tried to build these rules on.
The truth that people are missing about certain things, you know when they get fearful and they get hateful, and they repress other peoples, is the greatest truth of all, you know, the truth of love and understanding and clarity about all those issues. And it's like, one day, one day, everybody's gonna know, myself included, over certain things. But, so it's like, it's alright, you know, you hate me now, but that's cool, because I see a better day and I know that there's a higher truth, and you're wrong about hating me because I'm gay.
Some people have a concept of design: that it should be without the maker. I have been educated in this way, the traditional way. But I am not naive. I know that we make my things, and that people want them. I am signing them - and I am winking at them.
I'm glad I didn't know certain things earlier, because then it wouldn't be any fun.
But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.
I really think there's a difference between how men critics see things than how women tend to. And I don't want to make that - it's not a generality and I don't want to say that, but I just feel - I know I do the same thing. There are certain things that I just am not that interested in. Certain kinds of films - I just don't enter them.
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