A Quote by Dale Watson
Ginny's Little Longhorn is my favorite place to play and hang because it's close to old school beer joint music venue as you'll ever find. The Continental Club is also in the top as well.
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Obviously there is stuff that I wouldn't play in a club that I play at festivals, and vice-versa, but my sets are still dominated largely by my own music. I think that's what makes me stand out a bit. My music is also festival- and club-friendly, so it generally works out well.
I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
An old essay by John Updike begins, 'We live in an era of gratuitous inventions and negative improvements.' That language is general and abstract, near the top of the ladder. It provokes our thinking, but what concrete evidence leads Updike to his conclusion ? The answer is in his second sentence : 'Consider the beer can.' To be even more specific, Updike was complaining that the invention of the pop-top ruined the aesthetic experience of drinking beer. 'Pop-top' and 'beer' are at the bottom of the ladder, 'aesthetic experience' at the top.
My favorite thing is always a nice, inexpensive draft beer, but if someone wants something a little more complicated than that, then I'd like a Michelada, which is where I take beer and a little bit of either a spicy or not-so-spicy Bloody Mary, mix it like six to one [ratio], so it's kind of a red beer.
If I was playing for a club in mid-table, I could make three or four mistakes, and no one would notice because the analysis is not at the top level. But when you play for a big club, every little mistake is highlighted. So every day, you work, work, work.
I joined the after-school club, School of Comedy, which progressed wildly, and in quite a Hollywood way. It sounds like 'School of Rock', right up to trying to raise money to pay for a venue in Edinburgh.
Every man has to settle down eventually. You know why you gotta settle
down eventually? Because you don't want to be the old guy in the club.
You know what I'm talking about. Every club you go into, there's always
some old guy. He ain't really old, just a little too old to be in the
club.
There are a lot of us little gypsies out there that need to go and find another place you know. A safer, healthier or just a different venue in order to develop and find ourselves. I am so lucky to live the life that I do.
I often quote Ronald Reagan, who is pretty close to my favorite President ever, I will have to say that, but one of my favorite remarks he ever made was that when you look at Federal programs, there is nothing so close to eternal life on Earth as a Federal Government program.
I could go old-school; I listen to a lot of old-school music, like Teddy Pendergrass, the Temptations, people like that. I'm an old-school dude, and I'm vibin' with stuff like that to clear my mind. I like listening to that old-school music.
I was in the business school. I was on the executive board of the business school and I kinda gave all that up and forewent a full scholarship to walk on at the University of Maryland. I just wanted to challenge myself, play at the top level and see if I could hang with the big boys, kinda get that national spotlight and play in prime time games.
When I was in high school I made the discovery that if I was playing in a jazz club, and there were black people in the club, if I could get the black people to like what I was doing, I was on the right track. So I began to play to those people because they knew what the authentic music was. I've always had that in the back of my head.
For us, as artists, our goal isn't to forever try to play at the biggest venue ever. Our goal is to make music and keep pushing ourselves creatively, whether it gets attention or not. If we get to do that without being broke? That's our goal. And that may not mean that's going to result in us playing the biggest venue in the world.
With music videos becoming a popular form of content these days, I am thankful that Is Qadar has also found a place in the hearts of the viewers as well as on the top chartbusters.
As a professional cellist, I go to mostly classical concerts because that's the music I play, but I am also always trying to find out who the voices of our time are. I attend a spectrum of concerts that are close to classical - anything from Wynton Marsalis to Renee Fleming.
The national team is part of my life. I have an incredible history, of many conquests and also many defeats. But to play for Brazil, I have to have a club and play well. I'm not going to be picked on my past or because of my sponsor, as many have said.
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