A Quote by Damian Lewis

I've been careful to work with good people on interesting material, mostly. — © Damian Lewis
I've been careful to work with good people on interesting material, mostly.
I've been lucky to be able to work with great people and on interesting material.
I like what I do, and a lot of these projects have really interesting material and interesting people to work with. I feel lucky.
You never know why or when the next job is coming. I actually like that. It's kind of exciting. I don't punch in. I don't have a 9 to 5 job. When you do work you're lucky enough to go to interesting places and meet mostly interesting and talented people, so it's really a great job if you can work.
I think, always, with a new book, I get nervous. I think mostly it is because work is really important to me, and a book doing well is important because it buys you another one. Not because of the money but if you keep doing interesting work, work that people like, they will want you to do more, and offers that are interesting come in.
And I think a good writer's gonna make it interesting. From the first paragraph it will all be interesting. Just work at it and work at it and work at it.
I haven't done much press for many reasons, but mostly because it's not an interesting dialogue about work that's been done. It's turned into something else. It's become this ridiculous other thing.
You never know how things work and what exactly is going to grab an audience. Sometimes even the best material and the best collection of people interpreting that material just for some reason doesn't fly with people. There are a lot of TV shows or movies that maybe aren't as good as others that do work when it comes to finding an audience. It's a mystery, that whole thing. If somebody figured it out, this would be quite a great industry.
Sometime really good writing does you a disservice as an actor. Because you can get lazy. It's doing a lot of the work for you. I guess that's good. But at the same time with material that's not so good, you have to be more inventive, because no thought has been applied to it.
I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.
The historical relationship between Christians and Jews for most of the two thousand years of Christianity has not been good and it's been mostly persecution by Christians of Jews - not all the time, not every place, but mostly it's been that. I think that's just a terribly regretful thing. I don't see it anywhere in the Scriptures that I read, that Christians are to persecute Jews. I think it's been quite damaging. I think it's been a bad witness.
The digital world has allowed me a connection with my reader that I'd never had before. I didn't meet the people who read my material. The fan letters were mostly answered by professional people that'd done them for a living. And I didn't have any daily connection with their response to my work. I didn't have a relationship with my audience. And every artist should have it.
When we work all over the planet, it's mostly poor and black and brown and young people, because that's mostly what the world [environmentalism] is.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
Somebody said that my work might be an interesting source of material.
I'm a storyteller, and I have really good material to work with: I've been studying magic and the occult since about 1983.
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
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