A Quote by Damian Lewis

It's good to be busy on a film set because there is a lot of sitting around, so if you've got two roles to play at one time, then that's great to do. — © Damian Lewis
It's good to be busy on a film set because there is a lot of sitting around, so if you've got two roles to play at one time, then that's great to do.
In film roles, I play a lot of heavies and a lot of bad guys, so I tend to be the jokester and the good-time Charlie on the set.
Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.
I have a lot of watches that need to be kept wound, so if I take two of them on a trip, there's always one sitting around. And if it sits around for a day, then it'll stop working. And then you have to reset the time and date, which is annoying.
See, if you put a musician in a place where he has to do something different from what he does all the time, then he can do that - but he's got to think differently in order to do it. He's got to play above what he knows - far above it. I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.
I had no ambitions to become an actor, whatsoever. I was just waiting for my films to get made and some friends of mine, out of the kindness of their hearts, because I was sitting around doing nothing, started casting me in small roles and the roles got bigger.
You absolutely feel, as a black actress, that you've got to ride the wave because there's just so few roles. I hate to play that card, but it's the truth. There's not a lot of roles.
I never talk about filming until I'm actually on the set and I've got the job, because otherwise - "Oh yeah, I'm going to be so busy," and then you're going to see me in McDonald's in two months.
What about good small roles for women? I've told my agent, if there are two great scenes in a film, I don't care, if it's something with that great edge to it.
When I'm on the set, I'll come up with ideas if I'm sort of just between responsibilities, because there's a lot of sitting around on set. Invariably, though, the stuff I come up with on the set tends to be bad.
There's a lot of time sitting in movies, so you can put alligators in people's trailers in your spare time. So it [making a film] moves slower, which in some ways is great, because you can live with a scene and invest in it a lot. And in some ways it's hard, because sometimes you can start to lose your energy a little bit, but both are fun.
It's hard because I seek out strong female roles. I turn down a lot of stuff, not because it's not good, but because I don't want to play certain types of characters. I don't like to just play the pretty girl.
This was in '79. I got pretty restless there, sitting around with a lot of people sitting around smoking cigarettes and talking about films, but nobody really doing anything.
I think as long as you look like your having a good time, I'm impressed. Because I have a lot of energy, and I like being around it all the time. If you're just sitting in the corner, I probably won't notice you.
In the beginning, I got different kind of roles, and then I realised it's great to be that way. And that thought is always there before signing a film.
I always really enjoyed our early days, before we got too famous. We used to play clubs and that kind of stuff all the time. And it was fun. It was good because you get to play and get quite good at the instrument. But then we got famous, and it spoiled all that, because we'd just go round and round the world singing the same 10 dopey tunes.
I think film and television - particularly film - you are very isolated as a writer. If you're lucky, you have a good relationship with the director. Then you do make that development and come on set and be part of something. But ultimately, your work is kind of done by the time you come on set.
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