A Quote by Damian Lewis

That's all you can do as an actor - take the best thing available. — © Damian Lewis
That's all you can do as an actor - take the best thing available.
You never know when you're taking a job, ever... but you try to take good scripts. That's all you can do as an actor - take the best thing available. Even then, it's not [really] in your control. Certainly not in film and TV, because there are so many other elements. You just have to take control of your own performance.
You can't do what you've been asked to do unless you do the best you can. And roughly speaking, the best you can do is to be very available as a character and actor to the people you're acting with. That's equally important, whether the camera's on the other person or on you.
As an actor, that's the best thing you can do, really take people along on a story and tell them something.
As an actor, the toughest thing is being subject to circumstance. Meaning: What scripts are out there that are available?
There is no single approach that actors take to their craft. And the best thing you learn is that you have to really listen and respect each actor's own process and own method, and that takes a kind of delicate, non-imposing patience and openness, I think, to get the very best out of the people you work with.
Reason is a fine thing, but it is not the only thing available to a writer. It's just part of the arsenal of many things available to a storyteller. Revelation, for example.
I'm an actor. I can do whatever I want. As an actor, not everything has to be the most obvious choice. And sometimes, the best thing you can do is to defy expectations.
But actors at a certain point take the best of what's available to them.
The draft not being exceptionally deep, you basically take the best player available.
A British actor will savour every syllable of a Shakespearean line, while a French actor will drive to the end of a sentence or a speech with a propulsive rhythm: the thing you never say to a French actor is, 'Take your time.'
The best thing for an actor to do is take your attention off of how you feel about it, and put it on striving to obtain a particular objective. The happy result is that it brings out all this unexpected stuff in yourself.
As an actor, I feel that my work makes me very vulnerable. I have to be emotionally available to serve the scene I'm doing. You never quite know where your emotions will take you.
What's the best type of light? Why that would be available light... and by available light I mean any damn light is available.
For an actor, style comes last. You first have to implement the whole thing, but your style comes from the subconscious, which is the best part an actor brings to his work.
My whole thing is, you listen to the actor and help them bring out their best thing.
I take what I see work. I'm a strict believer in the scientific principle of believing nothing, only taking the best evidence available at the present time, interpreting it as best you can, and leaving your mind open to the fact that new evidence will appear tomorrow.
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