A Quote by Damian Loeb

Beauty has became a pejorative word in art. It was not something one should aspire to, because it was pedestrian. Beautiful things became cheap and easy. If it's cheap and easy, then upper classes aren't going to aspire to it. So, they have to find something more esoteric. I wanted the paintings to be realistic enough that you would have the ability to forget that I'm showing them to you.
I became a feminist because I wanted to help my daughters, other women and myself aspire to something more than a place behind a good man.
If I watch 'The X Factor,' I know I'm never going to aspire to sing, so I don't mind if they're good or bad, but when I watch 'Bake Off,' because I aspire to be good at it, I find it easy to try and put myself in their position.
I do not prize the word cheap. It is not a word of inspiration. It is the badge of poverty, the signal of distress. Cheap merchandise means cheap men and cheap men mean a cheap country.
We take the traditional value investor's process and just flip it around a little bit. The traditional value investor asks 'Is this cheap?' and then 'Why is it cheap?' We start by identifying a reason something might be mispriced, and then if we find a reason why something is likely mispriced, then we make a determination whether it's cheap.
I am convinced that missionary work is not easy because salvation is not a cheap experience. Salvation never was easy. We are the Church of Jesus Christ, this is the truth, and He is our Great Eternal Head. How could we believe it would be easy for us when it was never, ever easy for Him?
There is a sense that everything should be easy, but easy decisions are the ones we should be scared of because if they're easy then we're probably being sold something. This is why I'm worried about "nudge" - it's pushing people in the direction of what you think they should be doing. Easy decisions are dangerous ones.
Whatever is cheap became cheap by treating us badly in the past, but is priced to deliver superior returns.
Beauty is too easy. Often in my work, I take beautiful objects and do extreme things to them so that they are overlaid with something a bit more sinister and violent.
To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.
Cash is not cheap. The physical infrastructure is not easy to maintain and cheap.
We are entering a hyperconnected world where every boss now has more access, cheap access to cheap labor, cheap genius, cheap robot, cheap software, and then this world averages over. There is only one answer to that, and that is to get everyone as close as possible to some form of post-secondary education, it could be vocational, it can be liberal arts, it can be science and technology.
All my life, my girlfriends are always skinny. Beauty in art has nothing to do with beauty in reality. Why do you like primitive art? Because there is beauty in the deformity. Sometimes paintings that people consider realistic are not at all. Raphael figures look realistic, but in real life, they were deformed.
As gratitude is a necessary, and a glorious virtue, so also it is an obvious, a cheap, and an easy one; so obvious that wherever there is life there is a place for it; so cheap, that the covetous man may be gratified without expense, and so easy that the sluggard may be so likewise without labor.
I don't have a specific type of role that I aspire to play or aspire to act. I really like a challenge and I really like doing things that are different because if I had to do the same thing all the time, then I don't think I would be an actor.
I do speak to kids a lot. I am very clear with them that not all of them should aspire to be me and not all of them should be aspire to be LeBron.
I think the experience of getting an audience a little bit tense and shocking them with a jump scare, and then moving on it can be cheap and easy. The harder thing is to get them unnerved and disturbed in a growing way. That starts off easy and increases all the way through the picture.
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