A Quote by Damian Marley

It's not like I go into the studio and say I'm going to try to make music to prove to somebody that I can make music. — © Damian Marley
It's not like I go into the studio and say I'm going to try to make music to prove to somebody that I can make music.
I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make.
I'm not even going to lie - when I'm in the studio, I'm not like, 'Alright, let me make a hit.' I just try to make good music to the best of my ability.
I say if you can find somebody you can make music with, that's a special thing, so you should try to keep it going.
I live in that studio. I make music when they party. I make music when they go on romantic trips and on vacations. I'm working. That's what I do. This really has all my attention all the time.
It's satisfying and gratifying to make your own music, but I personally don't get the same enjoyment out of the music that I make as I do from somebody else's music that I like.
I make music to make you sick of fake music, hate music like devil worshippin Satan music. So say your prayers, your Hail Marys and Jesuses. Take two sticks, tape 'em together and make a crucifix.
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
I mean for me, I can't really say I differentiate 'cause when I go into the studio to make music, I just make music. Sometimes, it just ends up with me, and sometimes it doesn't.
The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.
When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
There are times pop music is the end result when I'm in the studio, but I don't really go in and say, 'Today I am going to make a pop song,' but it can happen.
I'm going to make the music I make regardless and it's always going to be driven by rhythm and blues and hopefully it becomes popular. But I don't cater to, like, 'OK, I want to make music that's going to fit in this pop world or go on the charts, etcetera, etcetera.' Hopefully, enough people like it so it becomes popular.
I don't have to, like, try to come out with pop music because I feel that that's gonna make me sell a lot more. I mean, I make the music I love to make and that's it.
It probably would be impossible for me to make music and not make it sound like Burzum. This is the music I make and the only music I am able to make, so I have no other options musically.
I like to make music because I've been making music since I was 7. I can get across the things that I want to say in my music so that I don't have to say anything. I don't have to speak out about the things I believe; I can say them in my music.
I moved my studio to Palm Springs 'cause I don't like the idea of going to a studio every day like a job... I need to make a personal record, so I need to be in a house... I don't want to be in a studio where people can hear the music 'cause I don't know what it is yet.
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