A Quote by Damian Marley

The UK crowds always have a lot of energy, and I've done some milestone shows there that I'm very proud of. — © Damian Marley
The UK crowds always have a lot of energy, and I've done some milestone shows there that I'm very proud of.
The U.K. crowds always have a lot of energy, and I've done some milestone shows there that I'm very proud of.
Tony Campolo and I both speak a lot, and we began to notice that there were some crowds of old folks that desperately needed some youthful energy, and there were other crowds of young folks that desperately needed some aged wisdom.
There are always leading characters. There are always complex characters; there are very rewarding plays with great directors and tremendous playwrights, yeah. I've done a lot of things with theater that I'm very, very proud of.
Airport Cars UK are always helpful and on time when we go on holiday. They have also done themselves proud with the executive people carriers at my sister-in-law's wedding
The UK is one of the places that has always been an advocate of my music and I spend a lot of time touring here. I've got family and friends over here, but more than that, there's a large Jamaican community and the Jamaican culture is very widespread in the UK which I love.
I'm very progressive in a lot of ways, but I'm a very proud American. It sounds so corny to say, but I am and have always been very... I'm just so proud. I don't ever not want to live in America.
I definitely prefer intimate crowds. I mean, those are always the best shows, like, a small venue. Packed to the gills. Hot, sweaty. Those are always the fun shows.
There are always things I find difficult - being in crowds, remembering faces. I do like routines. I always travel with someone. My life in Avignon is a very quiet one. I have an apartment that looks over the whole city. I can drop into town, but a lot of the time I write from home. In some respects I still live a very quiet, simple life.
I've got a lot of energy at my shows, I'm very performative; that gave me the idea, I want to try to translate that into a musical project, having the same energy I have onstage and on my album.
Some guys lock up when they hear the crowd. I feel the energy and take it with me into the fight. I've been in front of huge crowds and know to use that energy.
Everyone goes on about how Bombay is so similar to New York, so I had see what the big deal was. The bustling crowds are the same, but it's a lot quieter, it's a lot cleaner, and it's not humid. I think the energy is very similar to Bombay.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
With every milestone that I've come across, there's always been a little note at the bottom that's said, 'Don't worry, there's another milestone coming up.'
I haven't had a perfect career. I've put some albums out that, looking back, I'm not super proud of, but there's also a lot of stuff that I am very proud of.
I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
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