A Quote by Damian McGinty

I live in Derry, a little town in Ireland, and I don't have the background of Hollywood or Broadway. — © Damian McGinty
I live in Derry, a little town in Ireland, and I don't have the background of Hollywood or Broadway.
I grew up in Derry, of course, and it was - Derry was the worst example of Northern Ireland's discrimination.
My ultimate dream would be for Derry City to become champions of an all-Ireland league in a united Ireland.
I'll tell you what, it doesn't get more beautiful than the west of Ireland. Connemara and County Derry are quite stunning, really.
I do not like the Broadway theatre because it does not know how to say hello. The tone of voice is false, the mannerisms are false, the sex is false, ideal, the Hollywood world of perfection, the clean image, the well pressed clothes, the well scrubbed anus, odorless, inhuman, of the Hollywood actor, the Broadway star. And the terrible false dirt of Broadway, the lower depths in which the dirt is imitated, inaccurate.
My husband hailed from Dagenham; he's an Essex boy. Me myself, I come from Derry City in the northwest of Ireland, so we love to get back.
When you go off in the world and make your life, and you come back to your home town, and you find your old high-school friends driving in the same circles, doing the same things, that's what Hollywood's like. It's a little block, little town. It doesn't really grow or change.
Christopher Walken was probably the most experienced dancing partner I've had in movies, because he has the same background as I do. He's from theatre, Broadway and off-Broadway, and we both shared that.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I'm from a rural town outside of Stockholm, so in coming to L.A., I've been able to not think that much about my background. It's much easier for me in this big town, this big bubble to isolate myself from that and be a little more self-confident. I'm here to do my take on soul.
If you set your story in Rome, Ireland or Sheboygan, for that matter, go there. If you're broke, set it in the town where you live, or where you grew up.
I started after him...and the clown looked back. I saw Its eyes, and all at once I understood who It was." "Who was it, Don?" Harold Gardner asked softly. "It was Derry," Don Hagarty said. "It was this town.
After I graduated, I tried Broadway, which was difficult for me. It was tough to get a part on Broadway, so I just started talking to audiences at different social gatherings, and little by little I became Don Rickles - whatever that is.
There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.
In England especially, poetry's woven into the background fabric of society. And in Ireland, it's in the foreground. The place of the poet in Irish society is enormous. If you say you're a poet in Ireland, you'd better know what you're doing, because the standard and the expectations are incredibly high.
The first time that you escape from home or the small town that you live in - there's a reason a small town is called a small town: It's because not many people want to live there.
The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.
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