A Quote by Damien Hirst

In fact, the first piece of art I ever sold, I paid someone else to make the next one, so I could actually keep going out drinking. — © Damien Hirst
In fact, the first piece of art I ever sold, I paid someone else to make the next one, so I could actually keep going out drinking.
From the moment I went to Hollywood for the first time, I was accused by various people of selling out. So I feel I've done my sell-out films already. I've sold everything! I've sold every piece of soul I ever had!
I had written four scripts before I wrote Recount. Each one progressed my career a little bit, but I didn't make a dime off any of them. Recount was the first thing I sold, and I actually sold it as a pitch to HBO. They bought it as a pitch, which was a miracle. I thought, "Wow, this could be the last time I'll be paid to write a script again, which would be too bad because that was an amazing experience I just had."
At the age of 10, I had my first piece published in what was known as the 'Junior Post,' which was part of the 'Yorkshire Post,' and it was just for kids. I read it every week. And I got paid for it. So I thought... 'I can actually do this. I can get paid to write, and this is going to be fine.' I wrote several pieces for them.
I love wine, I love wine reps, I love everything about the drinking world. In fact, as a recovering alcoholic, I adore the drinking world. I can't participate in it any longer and the only thing I don't like are people who don't listen to the words that are coming out of someone else's mouth. Which is why I try very hard to listen to the words that are coming out of someone's mouth.
I'm actually doing a show. from my shed. on the internet. but it won't be music or anything, it's more to do with drinking and smoking. it's an art piece.
It's like gambling somehow. You go out for a night of drinking and you don't know where your going to end up the next day. It could work out good or it could be disastrous. It's like the throw of the dice.
Making your bed could be a piece of art, and writing a book could be a piece of art. You could also write a book that's not a piece of art, but that is a book, and it could be a book that was written by an artist.
Negroes could be sold - actually sold as we sell cattle, with no reference to calves or bulls or recognition of family. It was a nasty business. The white South was properly ashamed of it and continually belittled and almost denied it. But it was a stark and bitter fact.
I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.
And here's the fact: the fact is it doesn't solve the problem. First of all, if you taxed these people at 100 percent, basically next year you said, 'Look, every penny you make next year the government's going to take it from you,' it still doesn't solve the debt.
I sold my most valuable possession, but I knew that because I worked at Hewlett Packard, I could buy the next model calculator the very next month for a lower price than I sold the older one for!
He was in his chair in the corner, resting a second before he came out for the next round -- in a long line of next rounds. The thing he was fighting, you couldn't whip it for good. All you could do was keep on whipping it, till you couldn't come out anymore and somebody else had to take your place.
The first piece of art that I ever bought-when I could afford it-was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
I feel like you have to make art because you have to make it. But the end result of it- that last stage- you have to show it to somebody else to hopefully get a rise or reaction out of them- [to see] if it’ll affect someone else.
My music is so mine, it's hard to turn it over to someone else. I have to be really involved in the production. It's like someone else taking care of your kids - if they don't treat them well, you're going to be pissed off. I'm actually co-producing [Backwoods] with my guitar player of 20 years, Kent Wells. We make a good combination... I think we're going to have a real good record.
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