A Quote by Damien Hirst

If the choice is between buying another building or a Pollock, I'd go for the Pollock every time. — © Damien Hirst
If the choice is between buying another building or a Pollock, I'd go for the Pollock every time.
In the past 10 years, I've looked at life as this Pollock stuff. And now I'm almost in the post Pollock phase.
The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.
Unfortunately, there was no Jackson Pollock of the camera.
I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.
Pollock also... wanted one to be wrapped in the painting.
If you see 'Pollock,' I weighed almost 270 pounds.
Pollock looks unusual and radical even now.
In the late 30s the name Pollock was totally unknown and unheard of.
Clem had made it known that Pollock was a great painter.
Pollock really invented something. No one painted like him - or de Kooning or Still.
To handle paint the way Pollock did, you need the muscularity of a ballet dancer.
It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel.
It's impossible in our postmodern era for anyone to be original - for anybody to do what Jackson Pollock did.
I don't need to own one but I like to look at Diane Arbus's pictures and anything by Jackson Pollock.
Retirement shouldn't be making the choice between buying much-needed medication or putting food on the table; making the choice between heating an apartment in the cold winter months or paying rent; making the choice between paying a phone bill or seeing a doctor.
Who among us has not gazed thoughtfully and patiently at a painting of Jackson Pollock and thought "What a piece of crap?"
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