A Quote by Damien Hirst
You can always tell a great painting, because when you get close there are all these nervous marks.
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When I get nervous, I think about my dad, who would always tell me, 'When you're nervous, it means you care.' So I embrace it. That reminds me I'm ready.
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
The gossip mill on tour is always turning. I have to be a little careful about what I tell guys who I don't consider close friends, because even though they might not spread it to other players, they'll usually tell their wives. And once the wives get it, it's gone.
You don't have to be the most amazing writer, you don't have to get top marks in your English GCSE, you just have to be someone who can tell a good story, and tell it right, and tell it well.
I usually never, ever get nervous before a regular show. But a TV show? I'm always nervous because you know you gotta nail that song.
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
I always try to get in the back of the audience because people really want to get close to me, and I want to get close to them.
Theater's wonderful because it's visceral, and it's happening in front of you, but you never get that close. So the close-up is a great privilege of film.
I love getting nervous, because it's also a form of excitement and it makes me feel alive, you know? I like that feeling. I've always liked that feeling. People who don't get nervous before they perform are no fun.
There's something always instinctively visually right about nature. There's no difference, to my eye, between looking at a great painting and looking at nature. Because painting, when it's great, has the same immutable rightness, unquestioned rightness, about it.
I've gone a year and not written a song just because I couldn't think of anything. But I always come back to it because there's always that little buzz you get when you do something well and sing it out loud to the public. And people clap and tell you how great you are.
With silly stuff, it's seventy-five percent confidence. I always tell people that it's because I'm nervous about getting that next laugh and I need to hear it. I always want to condense a joke.
With silly stuff, it's seventy-five percent confidence. I always tell people that it's because I'm nervous about getting that next laugh and I need to hear it. I always want to condense a joke
The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.
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