A Quote by Damien Hirst

I've spent a long time avoiding painting and dealing with it from a distance. But as I get older, I'm more comfortable with it. — © Damien Hirst
I've spent a long time avoiding painting and dealing with it from a distance. But as I get older, I'm more comfortable with it.
I guess I am basically most comfortable when I'm alone. As a kid, I was very much a loner. I love long distance running and long distance biking. A director once pointed out that those are all very isolated exercises you do for hours at a time.
I learned that in dealing with things, you spent much more time and energy in dealing with people than in dealing with things.
Getting older doesn't bother me. When I was 30, I thought I should have achieved more, but you get more comfortable and think it's time to stop putting pressure on yourself.
Long-distance relationships are another way of avoiding intimacy.
I think the older you get, the more you know about life, and the more you learn about yourself and you become comfortable in your own skin. So the older I'm getting, the more fun I'm having.
The older I get, the more I appreciate my rural childhood. I spent a lot of time outdoors, unsupervised, which is a blessing.
The older I get, the more I feel that color is what painting is. Painting is primarily color.
Every album has a thing where it's like, "How are we going to marry our four ideas and personalities?" The older we get, the more people become comfortable with their strengths and weaknesses. Being in a band with such a long history can be frustrating and slow, but ultimately it's so much more rewarding.
I'm very comfortable in my own skin now. I started just being myself more and more. For women, this happens as you get older. I loved my 40s - I thought they were fantastic. And I'm loving my 50s. I'm going to love everything because you're either older or dead!
I have spent more time in my life working and being in restaurants than being at home. I immediately feel comfortable entering a restaurant, and I feel even more comfortable in the back with the chef and cooks.
I don’t trust painting. At least not in New York. Most painting here relies on formula and repetition, whoring itself to the market. There seems to be no risk and once a painter gets a strategy, very little exploration. As a result, I stopped thinking about painting a long time ago. I prefer forms of art that are more market-resistant, more idea-based, more - for lack of a better word - risky.
The more confidence you get as far as games under your belt, time spent with the guys, time in an offense, dealing with all the bull crap that you deal with in this profession. At some point you're kind of like, 'Screw it. I'm going to be me and do everything I can to win and if they don't like it, then oh well.
I absolutely get more comfortable in my body and my skin as I get older, more than when I was in my 20s.
When the painting is hanging on your wall for a long time, you don't notice it. You get tired of it, even if it's a Picasso. When the next generation inherits the painting, they sell it. I don't want to be sold.
I've been accused of being old before my time more than once. It's true that I've always felt an affinity for, and been comfortable around, older people. I attribute this to a childhood spent around my grandparents - and even a great-grandparent or two. I wouldn't trade those experiences for anything.
I think that the older I get and the more comfortable I get with myself, the more I realize that art is about relinquishing control of your emotions and being vulnerable and innocent.
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