A Quote by Damon Dash
In urban culture, Larry Davis is something of a legend.
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Gray Davis got some good news this week: the Clintons are out here in California campaigning for him. Actually, Hillary is campaigning for Davis, Bill is out here for Larry Flynt.
A good urban legend is something that actually did happen but it got twisted in the telling over time.
I wouldn't call it ["Wild Bill Hickok"] an urban legend, but I guess I'd call it a rural legend that the cowboy was always soft-spoken, mild-spoken, well-mannered.
I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.
Dirk Nowitzki will be better than Larry Bird. I'm a legend killer.
There's something about the authenticity that Hollywood is missing when it comes to urban culture.
As you study vampire legend throughout history, it goes back to almost every culture. South Africa, Indonesia, crazy places have that legend and that idea of immortality.
Guys like Alvin Adams, Sweet D Walter Davis, Larry Nance, and Kyle Macy became my basketball heroes.
When people see a legend, they call it a legend. But to be a legend, it's a lot of hard work and patience. You can't play for five or ten years and be a legend. It takes longer than that.
The only reason I'm ever in character as 'Larry The Cable Guy' is because that's what I'm hired to do. In my movies, obviously they hired 'Larry The Cable Guy' to be 'Larry The Cable Guy.' When I do my shows, I'm 'Larry The Cable Guy.' When I do Jay Leno, it's: 'Please welcome 'Larry The Cable Guy.'
Larry, you only told me one lie. You said there will be another Larry Bird. Larry, there will never, ever be another Larry Bird.
We're allowed to explore the world at large on these things; the urban-legend aspect of it is just kind of an excuse.
I've created a bridge between European electronic culture and urban American culture, and I've worked with established brands.
When you win, everything is everything. But when you lose, it's all about Allen Iverson and Larry Brown. When we win, I know that I get the praise and Larry Brown gets the praise, but when we lose, it's on me and Larry Brown. That's something that I have to learn to accept and deal with.
Greg Davis, Ron Randleman, David Bailiff, Paul Rhoads, Urban Meyer. I would be remiss if I didn't mention all of them as influences.
Larry Summers, I think, he had a long history of arrogance and relative ignorance about poor people's culture and working people's culture and so forth.
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