My passion is music, you know, and music influences culture, influences lifestyle, which leads me to 'Roc-A-Wear'. I was forced to be an entrepreneur, so that led me to be CEO of 'Roc-A-Fella' records, which lead to Def Jam.
I have inherited two of the most important brands in hip-hop, Def Jam and Roc-A-Fella. Reid and Universal Music Group have given me the opportunity to manage the companies I have contributed to my whole career. I feel this is a giant step for me and the entire artist community.
When Def Jam wanted to sign Method Man, they wanted to sign Method Man and Old Dirty. And Old Dirty wanted to be on Def Jam - everybody, that was like the dream label. But if I had Old Dirty and Method Man on Def Jam, that's two key pieces going in the same direction, whereas there's other labels that needed to be infiltrated.
Def Jam commented on one of my Instagram photos once, and all my friends me hit me up, like 'Yoooooo, you signed to Def Jam?'
I used to be a Def Jam artist. I was - I survived Def Jam.
I signed to Def Jam and within two months, I heard that Ja Rule was looking for someone to do a song with.
With Joe Walsh, that was kind of random. I'd written 'Hi-Roller Baby' for myself while I was at Island/Def Jam; literally, four years later, it got cut. Songs can be around for a long time.
I think Def Jam happened to be one of the labels that really didn't have a good grip on things that were going on. I'll say that - that's my political answer.
Def Jam is an iconic label.
I was always self-sufficient even when I was with Def Jam.
Def Jam is the reason why I started a label.
I never had to ask Def Jam for anything.
Even at it's worst, 'Def Jam' was extremely interesting and extremely well performed. And the crowds were amazing.
Would I have signed to Def Jam if I knew they was deaf? Nah.
When people see that we're signed to Def Jam, the perception has changed.
People don't get signed by Def Jam every day on my block.