A Quote by Damon Galgut

Generally, writers have very uninteresting lives. — © Damon Galgut
Generally, writers have very uninteresting lives.
One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
I like photographs of anything uninteresting. Maybe just two doors on a wall... The point is to be uninteresting.
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
I am suspicious of writers who say their work is original and influenced by nobody. If it is, it is probably uninteresting. The biggest source of novels is other novels.
I'm not very much of a reader really, because I find much of it very bad, very uninteresting, very speculative.
I think it's very important for writers and artists generally to be witnesses to the world, and to be transparent. To let other people speak... to travel... to experience the world. And memorialize it.
In TV, writers generally are the show runners, and they have enormous control over everything. In feature films, very often the writer will turn in a script and never be heard from again.
I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.
I can well imagine that certain writers, even writers that we'd consider today very great writers, may not necessarily have tested highly on IQ just because of their numerical skills, or maybe they may not be very good at memory, and are not particularly good at these kinds of tests.
I feel, as a person, very uninteresting.
All great books contain boring portions, and all great lives have contained uninteresting stretches.
I've met writers who wanted to be writers from the age of six, but I certainly had no feelings like that. It was only in the Philippines when I was about 15 that I started reading books by very contemporary writers of the Beatnik generation.
Most modern calendars mar the sweet simplicity of our lives by reminding us that each day that passes is the anniversary of some perfectly uninteresting event.
I do not set specific work hours as some writers do. I generally stay with a chapter until I am satisfied, do very little rewriting, and if a scene is going well, I've been known to keep night owl hours.
In a hospital, there's not anyone who's generally trying to do you harm. You're generally given a backstory about what happened to them, but not about their life, so you get to work on saving their life. But you know whose lives you're saving overseas, in the Army, to a certain degree. You know whether's it your guy or a bad guy, and it's generally not anybody in between.
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