A Quote by Damon Galgut

Something in a writer's brain needs to watch everything with a detached, amoral eye. — © Damon Galgut
Something in a writer's brain needs to watch everything with a detached, amoral eye.
It's hard to program a computer to make jokes. The brain needs to do something here; the brain needs to come up with something bizarre to make something funny.
The brain and the eye may have a contractual relationship in which the brain has agreed to believe what the eye sees, but in return the eye has agreed to look for what the brain wants.
Primo Levi's - I mean, he's a very different kind of writer. He's a much more formal writer. He's a much more -almost detached. I mean, I wouldn't really say that he's detached ultimately. But he does write as a scientist, and so he describes things very - in great detail, very carefully.
The strange, wonderful stories of Doctor Olaf van Schuler's Brain introduce us to the tremendously gifted Kirsten Menger-Anderson, a writer whose subject is nothing less than the diagnosis and cure of the human malady. We follow twelve generations of New York City's Steenwycks family through their forays into phrenology, mesmerism, radium therapy and similar misadventures, a historically rich narrative that Menger-Anderson delivers in striking, elegant prose and with a sure eye for detail. This is a remarkable debut by a writer to watch.
'Ornithologists concluded that migratory birds take hundreds of naps as they fly; they also practice unilateral eye closure, in which one eye closes, thereby permitting half the brain to sleep.' Is this what happens when photographers close one eye to look through a viewfinder? If so, they might be operating with only half a brain. Perhaps that explains.
Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.
A writer needs loneliness, and he gets his share of it. He needs love, and he gets shared and also unshared love. He needs friendship. In fact, he needs the universe. To be a writer is, in a sense, to be a day-dreamer - to be living a kind of double life.
Only a reader can become a writer. Develop a lively intellect and the ability to become interested in anything, no matter how mundane it might seem at first. Look for the story. Develop an eye for detail. Feed your mind and your brain: learn as much as you can about everything you can.
We see things based on autopilot. Our mind identifies something in a certain way, no matter what the eye sees. The eye tells you one thing and the brain tells you another.
I'm not a writer just to be a writer. I want to say something that really needs expressing.
I'm not a writer, but I'm very good at editing. That's my specialty. I can read something and tell you everything that's wrong with it and what's great about it and what needs to change, but it's hard for me to organize my thoughts.
I am fond of music I think because it is so amoral. Everything else is moral and I am after something that isn't. I have always found moralizing intolerable.
For words are magical formulae. They leave finger marks be hind on the brain, which in the twinkling of an eye become the footprints of history. One ought to watch one' s every word.
A writer is a spectator, looking at everything with a highly critical eye.
I relate everything to amateur wrestling, including the way I watch basketball and the way I watch football. My brain thinks as an amateur wrestler. That's who I am.
The very large brain that humans have, plus the things that go along with it - language, art, science - seemed to have evolved only once. The eye, by contrast, independently evolved 40 times. So, if you were to 'replay' evolution, the eye would almost certainly appear again, whereas the big brain probably wouldn't.
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