A Quote by Damon Hill

The problem comes when you say that danger is part of the equation. Then you don't do any more work on safety. That shouldn't happen. — © Damon Hill
The problem comes when you say that danger is part of the equation. Then you don't do any more work on safety. That shouldn't happen.
If the idea that my safety can only be enhanced by putting other people's privacy and safety in danger, then I don't want to be more safe.
If you labor heavily upon a work of art, then part of what you are saying is, 'This is a heavy work of art.' If you happen to be trying to say something about lightness, then the art should be light as well.
'Safety', the wife of Pablo said. 'There is no such thing as safety. There are so many seeking safety here now that they make a great danger. In seeking safety now you lose all.'
The more you think about and interact with other people, the more you realize that it is untenable to privilege your interests over theirs, at least not if you want them to listen to you. You can’t say that my interests are special compared to yours any more than you can say that the particular spot that I am standing on is a unique part of the universe because I happen to be standing on it that very minute.
The hardest part is when you're in danger yourself. You have to face what could happen and might be likely to happen to you. It's not just that you're there standing next to somebody that something bad is likely to happen to. That is a true moment of reckoning with who you really are.
My dad died when I was young. He was a good and decent man. There are a few things he would say that have just always stuck with me. He'd say, "Son, you're either part of the problem or part of the solution." Well, regrettably, President Obama has become part of the problem, and Mitt Romney is the solution.
Consequently there is a need for spiritual vitality. What protection is there against the danger of organisation? Man is once more faced with the problem of himself. He can cope with every danger except the danger of human nature itself. In the last resort it all turns upon man.
The faster some talents work, the more risk plays into the equation and then the opportunities for injury increases.
I'd be lying if I said I went into any project with any premeditated ideas of what's gonna happen or what's gonna be perceived as a result of it. I just kinda work on autopilot and then, when it's done, it's done and I have more of an internal sense of when that is. And then I leave it up to the audience to decide if one's better than the other.
It's a great feeling to be recognized by your peers. It's an even better feeling to be welcomed and accepted by country radio and its listeners. If desire is any part of this equation, then I'm a contender!
I think it's more normal to make a movie dealing with love, sexual or not, than to make movies about bank robberies, which very rarely happen in real life. So I would say the problem is not what some people feel is normal, I would say the problem is why this whole industry is far more obsessed with filming scenes of dominance, guns, invasion.
The most dangerous thing that can happen to us, I think, is to permit a feeling to develop that any client is a problem. I have always taken the attitude that no account is a 'problem account' but that all accounts have important problems attached to them - that you can waste more time and burn up more nervous energy by fighting a problem than by taking a positive attitude and solving it. It sure gives you a nice, warm glow when you do.
If you know from history the danger, then part of the danger is over because it may not take you by surprise as it did your ancestors.
The best thing that can happen to a human being us to find a problem, to fall in love with that problem, and to live trying to solve that problem, unless another problem even more lovable appears.
One problem we face in policymaking is the danger of having technology develop faster than the legal and regulatory system can react, potentially risking safety as well as efficient development and testing.
The reason why I'm popular as an artist in this country is because it suits the psyche of the nation at this time. Ten years ago, my work wouldn't have had any currency, any popularity at all. Before in this country, you had to be accepted. You had to be part of the group. Now it's probably more trendy to have a problem.
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