A Quote by Damon Lindelof
I feel like the big twist shows are now off the table. I think Westworld was probably the last one to Trojan horse this idea of the young man in black. They were doing non-linear storytelling, but disguising it. Jonah Nolan and Lisa Joy have spoken openly about how they just didn't think people were going to figure it out that fast.
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J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it [Westworld] was going to be amazing.
I was absolutely blown away when I first talked to Lisa Joy and Jonah Nolan at how ambitious they wanted 'Westworld' to be in looking at the drives that are leading human beings over the cliff of existence.
It was a wonderful time to be young. The 1960s didn't end until about 1976. We all believed in Make Love Not War - we were idealistic innocents, darling, despite the drugs and sex. We were sweet lovely people who wanted to throw out all the staid institutions who placed money and wars above all else. When you're young you think that's how life works. None of us were famous, we were broke. We didn't think they'd be writing books about us in 30 years. We were just kids doing the right thing.
I think what people were trying with me was to figure out who I was. They thought I was funny, but they were like, "How can we use this guy so he can regularly do this?" Does that make any sense? I think people were trying to figure out if my fat peg would fit in their square hole.
When I went to college in 1988, most people were probably trying to figure out how they were going to decorate their rooms, who was going to be on their floor, what classes they were going to take. My big preoccupation at that point was figuring out how I could get my absentee ballot so that I could vote in Ohio for Michael Dukakis at that time.
There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli, and a third big gallery man to serve us, the artists, at the table. So they were dressed up as waiters, we were sitting at the table, and they were only allowed to sit down at the end of the table for the cognac. This is not possible now.
'Westworld' is going to be incredible, and the production line is amazing. That was really nice because Lisa Nolan, who is in charge there, is fabulous and is a great example of a woman doing that role. So that was great, and she's amazing - an incredible writer and fantastic to work with.
When we were working on immigration reform and there was a young Latino man, young immigration activist here who, in the Roosevelt Room, refused to shake my hand.He made a point of saying, "I can't shake your hand; you're deporting too many people." And I just said to him, "Young man, I'm glad that you feel so passionately about this issue, but you're with the president right now in the White House. You've got to think about what's going to be most effective in getting what you need, what you're trying to accomplish. Because this may not be your best strategy."
In 1990, when we started the Black Community Crusade for Children, we were always talking about all children, but we paid particular attention to children who were not white, who were poor, who were disabled, and who were the most vulnerable.Parents didn't think their children would live to adulthood, and the children didn't think they were going to live to adulthood. That's when we started our first gun-violence campaign. We've lost 17 times more young black people to gun violence since 1968 than we lost in all the lynching in slavery.
But here's the deal: If I were smart, I could figure out curling. If I were even smarter, I could figure out why people would actually watch other people doing it. I have tried. I can't. I can't even figure out the object of the game. Is it like darts? I just don't get it.
I think if we were going to worry about teen pregnancy being glamorized, we should worry about shows like 'Teen Mom'. If people are going to want to have children at a young age because they see it on TV, I think that depends on the type of person you're dealing with.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
At the Last Supper how come no one sat on the other side of the table? See, I think originally there were people sitting on the other side but those were the people going, You know, the air conditioning hits me right on the back on the neck.
When I was young I was on punishment a lot and I used to watch a lot of TV, and I asked myself a question: 'How come people like Mike? How come they like Magic? How come they like Bird? How come they don't like the big guys?' So I just throw a little bit of what they were doing. You smile, you act crazy and silly. And I think people like me because I'm different. I've always been a class clown type of guy. It comes natural.
People are coming into America like we have no idea who they are, where they are from, what their feelings about our country is, and Hillary Clinton wants 550 percent more. This is going to be the great Trojan horse of all time.
When I did 'Think Like A Man', I would run into people who were acting like it was the first thing I'd ever done. I was at the premiere of 'Think Like A Man,' and people were coming up to me, like, 'Man, you're going to get work after this, bruh.'
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