A Quote by Damon Lindelof
I stand by the Lost finale. It's the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I'll always care what you think, I can't be a slave to it anymore. Here's why: I did it for me. I liked it. I was good at it. And I was really … I was alive.
Related Quotes
When I was in high school, I wasn't really popular. I was picked on a lot. And then I did a talent show, and kids started to tell me that I did a good job. It was the first time that my peers told me that they liked what I was doing. Something clicked, and I knew that this is what I wanted to do.
Now look at me! Take a good look! I was born and I knew I was alive and I knew what I wanted. What do you think is alive in me? Why do you think I'm alive? Because I have a stomach and eat and digest the food? Because I breathe and work and produce more food to digest? Or because I know what I want, and that something which knows how to want—isn't that life itself? And who—in this damned universe—who can tell me why I should live for anything but for that which I want?
Don't look back, never look back. How often do people tell themselves that after an experience that is exceptionally good (or exceptionally bad?)? Often, I suppose. And the advice usually goes unheeded. Humans were built to look back; that's why we have tat swivel joint in our necks.
I'm very proud that I was always able to be myself and didn't really care what people thought when I wanted bangs with my little Con-Air curling iron, and I wanted to wear glitter on my eyes and rings on every finger and charm necklaces that look like I was wearing baggage while I skated. But I do look back, and man, those '90s bangs.
I think probably the whole reason why I wanted to be on television was to show my mum that she was making a mistake. That I was amazing. Look at me, I'm worth something. Look at me.
When I like myself, which is not too often, but when I do like myself on film, it's when I point, and I go, 'Look what she did! She did the funniest thing - look at her!' Where I can really separate back from it and I don't see me anymore, then I'm really excited. That's, like, really fun for me. That jazzes me.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
I definitely look back at certain moments and don't think I look good...but I know why! I didn't have a hair stylist, I did all my own makeup, and I was going to the local fabric store for all of my outfits.
Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.
When I look back on it, I think, "Why didn't you stop the cruelty earlier?" To stand back was contrary to my upbringing and nature. When I stood back as a noninterfering experimental scientist, I was, in a sense, as drawn into the power of the situation as any prisoners and guards.
Fights with my father were really quite brutal. I would not live his vision. I would not become who he wanted me to be. Everything I did was criticized. I would spend three months drawing something and show him, and he would look up from his paper and just look back down. I got no approval from him for anything I did that was creative.
Some film actors want to sit back and look at every scene and all that crap. No, you're an actor - tell the story, and when it's told, there's another one to tell.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
Everybody does that now. We all take pics... you do the same with holiday photos. You record something to look back on it, even though you’re not really there when you’re taking the picture 'cause you’re too busy recording it; so you retrospectively go to look back on where you weren’t and tell yourself you had a good time.
For a shot, I had to look like I've slipped on wet floor and hurt my back. My director wanted me to just act it out, but I insisted on doing it with water on the floor to make it look authentic. He was against the idea, but I did it and almost broke my back.
I'm not one of those James Joyce intellectuals who can stand back and look at the whole edifice... It was a slow process for me to just crawl out of it, like a snake leaving his skin behind.
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