A Quote by Damon Lindelof

I've always felt that really good prequels should be original movies. — © Damon Lindelof
I've always felt that really good prequels should be original movies.
I always felt restrained by lower-budget films. I enjoyed making them, and I felt fulfilled, but I really did always want to make bigger movies.
I love the Marvel movies, but I always feel like we should be a step ahead of the movies. One of the reasons those movies have been so good and so successful is that they've been very good at mining the comics.
Personally I like the slow burn; I don't think there is anything wrong with it. When I think about the movies that were most effective on me as a viewer I think of the original Haunting and the Exorcist, Rosemary's Baby, the Sixth Sense, the Others. These movies are not over the top at all, they are movies that rely on good story telling, good acting, good premise, good exposition and I want to stay true to that in future projects.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I don't know if there's a problem with original ideas... I think a healthy film industry should have a good supply of good, original writing.
We need to make more original movies, and audiences would do well to support original movies for the future of the medium.
I did like 'Star Wars' when I was a kid. I saw the prequels first; I didn't see the full original films first all the way through.
I've always felt that a really good joke, a really good one-liner, is a really good line of poetry. It's imagistic, it's compact, there is a rhythm to it.
I've always felt like an artistic person. I can't draw or paint or sculpt. I never really had technical skills, but I've always felt like I appreciate really beautiful things, and part of taking a good photograph is being able to recognize beauty.
I've been on so many movies. Generally, I haven't gotten to be on the ground level. As of two years ago, in 'Dear John,' I got to really be on the ground floor. I wasn't a producer. I felt like I put the work in, and I did have a lot of sway on what got fixed, reshoots, so on and so forth. It felt really good.
Really good original ideas are very hard to come up with. Good ideas - easy. Really good, original ideas - it can take months.
Yeah, because we wanted to go back to the original tone. It's one of the original movies like The Muppet Movie, Muppets Take Manhattan, The Great Muppet Caper. Those kinds of movies. So that was really important that we hit that tone and those have a lot of cameos in them and so Jason and I started asking people and everyone we asked just wants to do it.
I've always felt really good about England. I've always felt really, really good about Britain.
The sky is always falling or the sky is always bright. In some ways, this is really morning in America and we don't see it. People are living longer, the economy is doing pretty well. On the other hand, there are some ways of thinking in the current situation that make it look not so good, including our Star Wars prequels - like legislature, meaning they're talking a lot, not doing a lot.
Films were really my church. As a young kid, it was movies and books; it was nothing remarkable, really, just that is where I felt soothed, that is where I felt most myself... safest.
The Lord of the Rings trilogy restored the balance in the Force after the Star Wars prequels ruined everything that was awesome about being a nerd at the movies.
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