A Quote by Damon Thomas
Just trying to get to know what director Bill Condon wanted. He's a great director and knows exactly what he wants. He knew every lyric to every song; knew where a handicap was.
Related Quotes
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
A lot of directors don't know what they want to do. Every director I've seen that was a good director that I've admired knew exactly what he wanted to do. They didn't sit there and think about it.
Every big-budget film is powered by a director's vision. I blindly follow the instructions of my director, believe in him, and deliver what he exactly wants from me.
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
Alexander Payne is one of those directors who is completely in charge and knows exactly what he wants, which is really fun. It's fun when a director is very specific. He knows totally the tone that he's going for. It makes it easier than if everyone's just guessing and trying to figure it out.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
As an actor, I just go off the director. I never ask how big the part is. I don't look at it from the perspective of, 'Is this going to be good for my career?' I just look for directors, and I think part of that is I knew I always wanted to be a director.
I always knew that I wanted to work and I knew I wanted to be a singer and an actor. I knew that every choice I made would help me get to that point. So the better the choices I made, the more of a chance I would have to get to where I wanted to be.
Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.
As an actor, I had the most power than I've ever had before, because I was able to create and arc and pursue that idea fully, because as every new director that came on, no one knew 'Hanna' like I knew 'Hanna.' That is something that I knew inside me.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
When I came to Mumbai, I didn't know a soul. The only person I knew was an assistant director, which, everyone agrees, is the lowest form of life on the set. So, it was not a great contact to have. So, I knew from day one that I wasn't going to be launched opposite a superstar.
Every film I've ever worked on, and that includes 'Braveheart' and 'Trainspotting,' I've always witnessed a director having a breakdown. Every director will have a day, without exception, where they just can't do it anymore, they don't know what to say to their cameraman, their cast. It's the sign of real, physical exhaustion.
I had a fantastic time working on 'Twilight.' I loved our director Bill Condon. He was an absolute pleasure to work with.
Hair is very, very distinctive. I started that with that boxing movie I did, The Great White Hype. The director wanted me to look like Don King, and everybody knew who Don King was. But I didn't want to be Don King. I wanted the man to be Rev. Fred Sultan, so I decided to make him look like Julius Caesar. And from that point on, I just decided, I had this great wig-maker, so I just found hairstyles that I felt would be distinctive for every character. Like an adventure.
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