A Quote by Dan Auerbach
You know, there's always someone in mind when I'm writing. You know, it's all comes from somewhere inside.
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The Internet, you know, 10 or 15 years ago sort of felt like the wild West. You could go out there and do anything and search for things, and, you know, find out about stuff. Now always in the back of my mind, you know, whether it's email or whatever else, it's like, well, is this going to show up somewhere? Is someone going to keep track of this and, you know, know I was searching for - maybe it's an embarrassing disease, maybe it's a weird hobby?
Somewhere inside we do know everything about ourselves. There is no real forgetting. Perhaps we know somewhere, too, about all there is to come.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
Mistakes are like the memories you hide in an attic: old love letters from relationships that tanked, photos of dead relatives, toys from a childhood you miss. Out of sight is out of mind, but somewhere deep inside you know they still exist. And you also know that you're avoiding them.
You do know the answers to most of your problems. Somewhere deep inside, you know.
You can't ever totally know what's inside of someone else, or see the kind of will someone like Magic has. You have to rely on your instincts to find people who hate losing and know how to win.
I hate the fact you always feel like you have to be going somewhere, like the end destination is to be finished, or to be happy. But the truth is a lot of us are completely lost, and we don’t know, and that is also a state of mind, to not know who you are and where you’re going.
I think there's, you know, somewhere inside of us there's that - that fear of one day waking up and, you know, the fans - the fans move on to the next band or something.
I always go in very emotionally when I'm doing music. Sad or happy, I'm always into it. I have a hard time writing for other people, writing with someone else in mind.
Solving a problem for which you know there’s an answer is like climbing a mountain with a guide, along a trail someone else has laid. In mathematics, the truth is somewhere out there in a place no one knows, beyond all the beaten paths. And it’s not always at the top of the mountain. It might be in a crack on the smoothest cliff or somewhere deep in the valley.
The only way you can know someone is through their actions - you can never know what's going on inside them.
I don't know when I'm writing dark. I don't know when I'm writing funny or even heartbreaking. I'm always just trying to write it true.
If you asked someone, 'Can you play the violin?' and he says, 'I don't know, I have not tried, perhaps I can,' you laugh at him. Whereas about writing, people always say: 'I don't know, I have not tried,' as though one had only to try and one would become a writer.
I’m here because I know the sadness inside you. I know what it feels like to wake in the morning, lost and lonely and aching for someone to be there with me. (Sebastian)
Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life.
For me, a lot of Discipline was very personal writing, like writing through and working out being inside this gendered body and also the compulsions of the body, the muting of the mind as driven by the body. My father had died some years ago so he haunts the book too, just floats through it ghost-like. But, the writing of every book is different for me. They are so like living creatures, these books, so I don't know what's carried over into the writing of the next things - except maybe that I'm best when I make my writing practice a routine.
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