A Quote by Dan Aykroyd
Heaven to me is percussion and bass, a screaming guitar and a burbling Hammond B-3 organ. It's a soup I love being immersed in.
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I play guitar, piano, bass and percussion.
Well, I've heard a lot of people, but I think I would say a Brazilian musician named Hermeto Pascoal was one of my biggest influences. Through the years he mastered the keyboards. He use to play the organ Hammond B3, flute, saxophone, percussion and guitar. He is one of the most complete musicians that I ever met. Not too long after we came to the United States, Airto Moreira introduced him to Miles Davis, who recorded three of Hermeto's compositions on his album "Live Evil.
We've got an electric organ, a sax, drums, guitar and bass guitar. We sound less like the Beatles than most of the groups.
The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.
I have always been drawn to percussion and drums, to bass and piano, in music much more then I am drawn to the guitar and the other lead instruments.
A lot of places we go, when they see the organ coming in, they're expecting rock and roll, but after they hear us play they like it. To me, guitar cuts through-it carries more than organ. But organ has got more guts.
Obviously, a bass sounds like a bass and a guitar sounds like a guitar, but the way you play the guitar reflects your personality.
I played for my first church service when I was nine years old. I was sufficiently tall to be able to reach the pedals. The first hymn I played was Bringing in the Sheaves, and to this day I can play it in any key. I graduated to a Hammond organ a few years later when we went to another church, and then in high school came one of the loves of my life, the pipe organ. The sound of the pipe organ still gives me a thrill, whether soft strings or drowning out the orchestra as in Strauss' Also Sprach Zarathustra.
The first album I ever bought was Santana's 'Abraxas.' Obviously, I was a huge fan of Carlos because he had the unique guitar sound, and he had incorporated a lot of the percussion and really, really fun rhythmic bass lines in there, too.
Maybe that's what makes my stuff different, 'cause I write it all on the bass. I can't play but a few chords on the guitar, so the bass works just fine for me.
I don't ever have any bass in my monitors at all; I instead like to lock in with the guitar. I know the bass player has got to be locked in with the drummer, but to me, metal music is about the guitar and drums locking in and operating like a machine together. I played with my brother forever, and we were magically locked in together.
Music has always been in my family, but it was mainly keyboards. I learned to play classical piano, but when I first heard the amazing bass guitar of James Jamerson, who played on all the big Motown hits of the '60s and '70s, I knew bass guitar was my instrument.
God wants a love partner, centering on the place where husband and wife become one through their sexual organs, God wants to appear and meet us...I wish you would center on the absolute sexual organ, unique sexual organ, unchanging sexual organ and eternal sexual organ and use this as your foundation to pursue God...We have to realize that the Kingdom of God on earth and in heaven will begin on this foundation.
I mean, I can sit down with a guitar, and in fact, we do two, three songs with just guitar and percussion.
One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
Apart from the positive woes of perdition, an eternity of wretchedness grows from the want of love to Christ as naturally as the oak grows from the acorn, or the harvest from the scattered grain. It is not that love to Christ merits heaven; it does far better, it makes heaven. It is, as it were, the organ of sensation that takes note of heaven's blessedness.
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