A Quote by Dan Aykroyd

My great-grandfather, Sam Aykroyd, was a dentist in Kingston, Ontario, and he was also an Edwardian spiritualist researcher who was very interested in what was going on in the invisible world, the survival of the consciousness, precipitated paintings, mediumship, and trans-channeling.
My great-grandfather was prime minister of Canada, and I had a very Edwardian upbringing. It was a beautiful, romantic way of growing up, until the family lost its money. And I decided to be bad and rough and find the streets rather than the gates.
I've never actually known anything other than nutritious foods. I've grown up with a mother who is a doctor, dentist and cancer researcher who also happens to be an amazing cook.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
Zen is consciousness unstructured by particular form or particular system, a trans-cultural, trans-religious, transformed consciousness.
Trans kids are living in the future in a way. When I was growing up, "transgender" wasn't even a word. It wasn't used. Just the naming of something that's invisible, or was thought of as shameful or different - giving it a name that's not a slur is powerful. It's still a little hard to imagine what it might look like growing older as a trans man, but I think that's going to change for the next generation. For trans kids growing up, that visual bridge towards their future selves is starting to develop in conjunction with this trans media wave we're in.
My family is all from the Southwest. My great-great-grandfather was at the Battle of San Jacinto with Sam Houston.
Dan Aykroyd is a comedy icon and one of my idols of all time, but I also know that he's an incredibly great actor.
The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
My dear Algy, you talk exactly as if you were a dentist. It is very vulgar to talk like a dentist when one isn't a dentist. It produces false impression
I'm not that much of a researcher. I'm good at channeling characters, and I'm good at structure.
I don't believe in the hereditary principle in the House of Lords. Imagine going to the dentist, sitting in the chair and he says, 'I'm not a dentist myself, but my father was a dentist and his father before him. Now, open wide!
Someone asked me very recently why I have 8 million views on TED - "your work resonates, what are you doing?" What I think my contribution is, what I do well, is I name experiences that are very universal that no one really talks about. That's the researcher in me; that's really part of being a grounded theory researcher - putting names to concepts and experiences that people have. That's the researcher part.
Many in the trans community are fed up with L.G.B.T. organizations that continue to erase trans identity or just give lip service to trans issues. We need our cisgender allies - gay and straight - to treat transgender lives as if they matter, and trans people need multiple seats at the tables in the organizations that say they're interested in L.G.B.T. equality; this absence has been painful since Stonewall.
I'm very interested in the visual world because I'm also very interested in feminism. I find that the world of watching takes us into the most psychotic state of, like, "You are this one person, but you have to become another person to see these images."
I am a spiritualist, a proud wearer of the spiritualist badge.
My great-great-grandfather lived to age 28, my immigrant great-grandfather Pedro Gotiaoco died at 66, my grandfather was 68, and my father died at 34.
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