A Quote by Dan Bejar

I don't really know what's going on with the Pornographers - everyone's kind of doing their own stuff. I mean, they play shows here or there. — © Dan Bejar
I don't really know what's going on with the Pornographers - everyone's kind of doing their own stuff. I mean, they play shows here or there.
The good thing is that I really think that American television is in kind of a second golden age. Even though there's a lot of reality and all those contest shows, which aren't my kind of shows, the scripted stuff that's going on is so good right now because of basic cable. Everyone has stepped it up and realised that people like quality.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
We went on tour with Phoenix. I don't really know anything about Phoenix I'd heard a couple songs. And I thought, I don't really know if I want to go on this, it's kind of weird, kind of a pain in the ass for us. But everyone was like YOU HAVE TO DO IT, it's going to be so good for your career. And I mean I don't know if it was good for our career but the guys in the band were super huge sweethearts.
Retro looking stuff but a lot of these guys doing these shows are my age or younger. I was just disgusted. I hated being around that kind of thing. Not that it affected what I did because when it comes down to it I was doing my own show.
Shows are really great because you kind of become a family if it goes on for seasons. I started off doing more TV stuff and I really, really liked that. Then I got more into movies. They're both great, and I love doing them.
At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock.
I still don't really know what my style is. I like a lot of different kinds of comedy, I like watching it and I like being inventive and original. That's the problem with doing a longer set - you can't do every joke that you have because some stuff contradicts other stuff. Even when you know that the audience knows that you're joking and it's not true, you still can't do a joke about your family dying and then later talk about your Mom. I mean you want to keep some kind of cohesive order going.
There's so many shows, whether it's 'Last Week Tonight' or 'The Daily Show' or 'Full Frontal' or 'Late Night With Seth Meyers,' that are really doing great stuff talking about what's going on in the world and what's going on with the president, and those stories that everyone winds up talking about, whether on social media or in their jobs.
I realize that I'm not going to be doing interviews for the cover of 'GQ' for the rest of my life, know what I mean? I'm on TV because I play basketball really well.
To paraphrase president Kennedy's inaugural, the torch has been passed to a new generation of cartoonists and they are doing really interesting stuff, taking the old cliches and breathing new life into them and inventing new ones. This doesn't mean the previous generation of which I'm a charter member isn't doing good stuff but this new material is invigorating everyone.
When everyone around you is doing all this incredible pirate acting and you're having to sort of play the straight guy and move the story forward, you kind of want to be doing some of that pirate ripping it up stuff, but in truth, to be a part of that project is what I love.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
If you're going to perform, you're going to attract criticism. You can't please everyone all the time. You don't know how things are going to come out. But that's part of the fun of it, the adventure of doing any kind of art.
That's the great thing about being an actor: Stuff shows up that you never thought was going to go down. You get to play or experience an area of the world that - you know, I live a pretty simple life, I'm not much of an adventurer. I like my couch and my television. So when stuff comes up in the job, it's a good deal.
Everyone knows Earth, Wind & Fire. We know 'September,' all the big sort of hits from going out and dancing and stuff. When I was developing St. Lucia, I really started listening a little bit deeper, listening back to their stuff from the '70s and '80s, and really dug into it.
It's just a challenge doing live television every week, you know, it's a challenge to come up with new material every week and stuff like that and try to keep it current, you know what I mean, like it's just, you know, it's a kind of a stressful environment. Like I didn't really realize that we had a show this Thursday until yesterday.
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