A Quote by Dan Bejar
When I go to a show, all I really want is to hear a performance that sounds legitimate, and not just going through the motions. I'm not sure any amount of jumping up and down really persuades me in either direction.
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Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries.
You often hear when you talk to guys in our industry, that this is my personality, I just turn the volume up, but over the years, I've really become me. No volume turned up, no nothing. I've been able to go out there and just be myself. It's through solid performance after solid performance that people just take you for who you are.
My coach keeps telling me to say I'm not going to retire. I should just go through the motions and see what I feel every year and see if I really want to do it, but personally, I want to do it, but my coach says just take your time, don't rush.
When you're starting up a show, you don't really know what direction it's going to go.
I mean, the way I'm talking, it sounds like I'm - you know, I'm about to go out and sign up for the nearest seminary, and you'll never see or hear from me again. But it's a hard thing to talk about really 'cause I'm not at all sure myself about it. But I've got a very, very simple sort of outlook to it. Yeah, that's all I can say, really.
I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.
On 'Death Valley,' I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
On Death Valley, I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
I really want to go to Ireland. It's really green I hear and very pretty. So I'd really like to go there and spend a nice amount of time because I always travel but for like a second. I never get to enjoy the places.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
It's very difficult for me to travel now without music just because I'm so spoiled. It's a huge luxury to go and play your music for all these people around the world and having come up to you in a special way - they really want to show your their city, or really want to show you where they are from. If you are just traveling, you don't get that same welcome.
It feels like a lot of times when I'm watching people perform, they're just going through the motions and checking boxes. Costume - good, hair - good, make-up - good, death drop - good; it's like they're just going through a checklist of what makes a 'good performance' but it's not entertaining, it's very disposable.
If it was up to me, I would be given ample time to do a full on performance. I would play all of the instruments that I can play, really show off to the world, then maybe have an Intercontinental title match and follow that up, maybe go out against somebody like The Undertaker or John Cena, anybody that can really top off a great performance.
Any person I idolise, or I really admire their work, I want to beat them... For me, going through my years, I made sure to idolise myself... So when you're in a race, you have to make sure that you think you are the favourite to win. You have to have that confidence.
But when I’m jumping, it’s as if my feelings are going upward to the sky. Really, my urge to be swallowed up by the sky is enough to make my heart quiver. When I’m jumping, I can feel my body parts really well, too—my bounding legs and my clapping hands—and that makes me feel so, so good.
I come from nothing. Growing up I didn't really have too much, and I can tap into that anytime that I want to and just remember how bad things were for me growing up and just knowing that I never want to go back there and I don't want my kids to go through it.
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