A Quote by Dan Bejar

Most musicians don't write about being a musician cause most musicians aren't writers. — © Dan Bejar
Most musicians don't write about being a musician cause most musicians aren't writers.
Being a musician, people ask you a lot about what musicians inspire you, and there's plenty of musicians that I love and respect, but I think that I'm the most inspired by cinema.
I always tell people that, just to be a bad jazz musician, you have to be better than most musicians. The worst jazz musicians are normally better than most musicians, because you have to know so much.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.
I think some of the musicians are more like punk rock musicians. It's like an art as opposed to being a musician. It's definitely more radical psychedelic bands, more than anything.
I would love to do a serious period drama. Oh, absolutely. I mean, you'll find most comedians want to do more serious stuff, most musicians want to be comedians, and most serious actors want to be musicians.
I can't fathom writers married to writers and musicians married to musicians. There's your enemy in bed beside you.
For one person, Haydn is most exciting. Or Bach is the most exciting. For another, it's Carter or Strauss. For me - and for any musician - all of the music is exciting. And if you don't approach it with excitement, we can't be musicians.
Being a classical musician I'm fascinated with how my colleagues, not just singers, but every musician finds ways to express something else or something new or the same ol', same ol' in classical music. I'm always in dialogue with other musicians at least orally, if I can't be with them and a lot of dead musicians as well. I've learned a lot from dead people on recordings.
Reps once took chances on art, History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals.
There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.
Folk musicians have a lot of the same self-importance, but they're way more cruel and jealous than rock musicians - I know this for a fact because I used to be a folk musician.
What is the source of power of musicians who are financially browbeaten, most of whom work for minimum wage or less? Musicians who cannot even afford to buy tickets to operas or concerts in which they themselves perform?
I'm a musician, so for the most part I've always thought that the musicians were equally as inspiring to listen to - maybe more so, in some cases - in addition to the artists.
It was about finding creative, original musicians. Musicians who are strong composers. Flexible, empathetic musicians, who are great individually but who also have a great sense for cooperation and collaboration, great listeners as well as great players.
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