A Quote by Dan Bejar
I'm not that conscious of my writing, so pacing the lyrics doesn't really enter the picture.
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I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too.
Usually when I put my focus on the pacing, the plot, the specific characterizations, - it's ironic - but then I actually increase my chances of writing something that moves people because I haven't become too self-conscious of the goal.
I would be too self-conscious if I just thought of writing lyrics for a song. I have to trick myself into doing it.
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
The 'sent' folder of my email program is really my biggest inspiration and my biggest source of lyrics. That's where I go to pick up a lot of the lyrics that I'm writing.
I don't know why, but there's a certain element of panic in writing lyrics that I'm not sure I enjoy. I don't write lyrics first, ever. I've never done that. So, in a sense, the lyrics are a bit of an afterthought - it's music first.
I'm proud of the lyrics because I take a lot of care in writing them. I try to make it so people will want to go in and get really into the lyrics. I hope there are different corners to them, with lots of levels-without sounding pretentious.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
I think I took a few stabs at writing socially conscious lyrics. I had never intended to write a song about the Gulf War, but when I wrote "Before You Hit The Floor," I didn't know what the hell was going on in the world.
Writing lyrics is part spontaneous, intuitive and part really thought through and carefully analyzed as you write it. It's a mixture of two approaches, and I imagine writing anything is like that, really. Some of it just flows, and you just go with it.
Well, you know, it's a younger person, and it was maybe an effort to be a little more sincere and adult about the lyrics occasionally, which is a good thing. It's nice that it's not too self-conscious like some of our lyrics could be.
When you have four people writing lyrics instead of one person, the lyrics are going to be a little more broad.
With lyrics for me, it's usually musically-based. It's not really poetry- or writer-based. It's rock-based. It doesn't mean that I'm aping rock lyrics, but I'm writing from a music standpoint. I'm thinking more of music heroes, if they're in my mind. Not William Blake or John Ashbury. Sometimes maybe I thought of him a little bit. Or Wallace Stevens. I don't even really fully understand either of them.
One of the hardest things about writing lyrics is to make the lyrics sit on the music in such a way that you're not aware there was a writer there.
I generally have lyrics first, but you can't help that when you're writing lyrics you start to get a melody in your head. So they come kind of simultaneously.
When I'm writing, I'm trying to access my subconscious and turn off my conscious brain. I use my conscious for research, but when I'm actually writing, I'm trying to get into a place where I'm tapping into the deeper, darker elements of what's going on.
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